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Related Music Theory Alchemy

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

This is simply a repetition of the F major chord, played four times. This does not provide much variety or harmonic interest, but it might create a sense of stability and could be used to produce a strong tonal center.

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

The Beatles – I Want To Hold Your Hand – Verse 3

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

“`shell
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B Major (‘III’, borrowed chord from parallel major)
G Major (‘I’)
D Major (‘V’)
E Minor (‘vi’)
B7 Major (‘III7’, borrowed chord from parallel major)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:

“`shell
G Major (‘I’)
B Major (‘III’, borrowed chord from parallel major)
C Major (‘IV’)
C Minor (‘iv’, borrowed chord from parallel minor)
“`
2. “Let It Be” by The Beatles:

“`shell
C Major (‘I’)
G Major (‘V’)
A minor (‘vi’)
F Major(‘IV’)
“`

Both exhibit some of YouTube’s influence. Notably, Radiohead’s “Creep” uses a similar change from the I chord, directly to a borrowed III chord, just like “I Want to Hold Your Hand”.

Musical Analysis

The progression is primarily based in the key of G Major. Starting with the I chord(G Major) gives the progression its tonal targeted sound. Shifting to the D Major (the ‘V’ or dominant chord), which returns to the E minor that commonly functions as the vi chord of a progression. The interesting part here is the addition of the B Major and B7 chords. These are ‘borrowed chords’, specifically from the parallel major of E minor, representing a modal mixture, which adds complexity and a unique twist to the conventional chord progression. The B7 acts as a secondary dominant, creating a strong pull to the tonic (G Major).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

Style Analysis

This progression characterizes The Beatles’ evolving style in the early 60s, which displayed a penchant for blending the simplicity of rock and roll with more sophisticated compositional techniques. This blend is what allowed their music to appeal to a broad audience, maintaining a catchy pop aesthetic, while also advancing musical content and complexity. The use of borrowed chords is indicative of The Beatles’ willingness to experiment with more unconventional harmonic territory.

Chords in the Verse 3 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]