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Related Music Theory Alchemy

“Here Comes The Sun” by The Beatles, composed by George Harrison, features a complex and stylistically unique chord progression. The song is primarily in the key of D major, with elements of modal interchange (also known as borrowed chords) from both the parallel minor key (D minor) and other modes, including the Mixolydian mode.

“I Am The Walrus” is a composition by The Beatles that showcases a variety of chord progressions, rhythmic sensibilities, and melodic explorations that are representative of their signature sound. The song’s structure presents a complex and unorthodox harmonic design that is characteristic of The Beatles’ later experimental phase.

The pre-chorus 1 [‘A’, ‘A/G’, ‘Dadd9/F#’, ‘F’, ‘G’, ‘A’, ‘A/G’, ‘F’, ‘B7’] presents a series of descending bass notes provided by the root movement of these chords- from A to G (in ‘A/G’) to F# (in ‘Dadd9/F#’) and then repeated. This technique significantly enhances the melodic content of this progression. From a stylistic perspective, the song’s chord progression is enriched by the functional interplay of diatonic and non-diatonic elements over a changing tonal landscape.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

The Beatles – Here Comes The Sun – Verse 1

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Chord Progression

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]

Chord Progression Analysis

Here’s the chord breakdown:

– D Major (I)
– Dsus2 (Isus2)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)
– D Major (I)
– Dsus4 (Isus4)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)

The Dsus2 and Dsus4 chords are primarily used as embellishing chords, giving a fresh twist to the music. They add a layer of intrigue and emphasize the change that’s being sung about. The A7sus4 acts as a colorful way to set up tension and resolution in the progression.

Similar Chord Progressions

The progression in “Here Comes The Sun” echoes other pieces by The Beatles and many artists in pop and folk music. An example is “Don’t Look Back in Anger” by Oasis:

Verse: [‘C’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘E7sus4’, ‘Am7’, ‘G’] translates to:

– C Major (I)
– F Major (IV)
– C Major (I)
– G Major (V)
– A minor (vi)
– E7sus4 (iii7sus4)
– A minor7 (vi7)
– G Major (V)

This progression similarly uses major and suspended chords to lend tension, color, and movement to the music. The sus4 chords are characteristic to Oasis’ sound and commonly found in pop, rock and country music. The use of minor chords and sevenths makes the progression less predictable and more emotionally varied compared to Here Comes The Sun.

Musical Analysis

The song employs hooks using Dsus2 and Dsus4 to create a melodic drive in the repeating motif. The IV (G Major) and V7 (A7) chords give a traditional sense of tension and release, providing motion to the music. The use of A7sus4 before transitioning to the core D Major reinforces the movement in the composition.

Overall Analysis

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Style Analysis

“Here Comes The Sun” exemplifies the Beatles’ imaginative mix of traditional and improvisational style elements. In this case, it uses predominantly major and suspended chords in a fresh, ingenious combination. This compositional approach, using simple harmonies with slight variations (like suspensions), lends an upbeat and reaffirming character to the piece, which goes with the context of the lyrics.

Chords in the Verse 1 section of Here Comes The Sun by The Beatles are:

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]