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Related Music Theory Alchemy

“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

The Beatles – Here Comes The Sun – Verse 1

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Chord Progression

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]

Chord Progression Analysis

Here’s the chord breakdown:

– D Major (I)
– Dsus2 (Isus2)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)
– D Major (I)
– Dsus4 (Isus4)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)

The Dsus2 and Dsus4 chords are primarily used as embellishing chords, giving a fresh twist to the music. They add a layer of intrigue and emphasize the change that’s being sung about. The A7sus4 acts as a colorful way to set up tension and resolution in the progression.

Similar Chord Progressions

The progression in “Here Comes The Sun” echoes other pieces by The Beatles and many artists in pop and folk music. An example is “Don’t Look Back in Anger” by Oasis:

Verse: [‘C’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘E7sus4’, ‘Am7’, ‘G’] translates to:

– C Major (I)
– F Major (IV)
– C Major (I)
– G Major (V)
– A minor (vi)
– E7sus4 (iii7sus4)
– A minor7 (vi7)
– G Major (V)

This progression similarly uses major and suspended chords to lend tension, color, and movement to the music. The sus4 chords are characteristic to Oasis’ sound and commonly found in pop, rock and country music. The use of minor chords and sevenths makes the progression less predictable and more emotionally varied compared to Here Comes The Sun.

Musical Analysis

The song employs hooks using Dsus2 and Dsus4 to create a melodic drive in the repeating motif. The IV (G Major) and V7 (A7) chords give a traditional sense of tension and release, providing motion to the music. The use of A7sus4 before transitioning to the core D Major reinforces the movement in the composition.

Overall Analysis

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Style Analysis

“Here Comes The Sun” exemplifies the Beatles’ imaginative mix of traditional and improvisational style elements. In this case, it uses predominantly major and suspended chords in a fresh, ingenious combination. This compositional approach, using simple harmonies with slight variations (like suspensions), lends an upbeat and reaffirming character to the piece, which goes with the context of the lyrics.

Chords in the Verse 1 section of Here Comes The Sun by The Beatles are:

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]