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Related Music Theory Alchemy

The progression is in the key of C major. The use of the Bb major is known as modal interchange, where a chord that is not in the key is borrowed from a parallel key, which in this case is C minor. This contributes an interesting tone color to the overall sound. The chord progression does consist a use of slash chords (C/B, C/G) which adds a more complex bassline creating a more harmonically active feeling, and yielding more tension and release.

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

The Beatles – For No One – Chorus

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Chord Progression

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> A7 (V) -> Dm (i) -> Gsus4 (IV) -> G (IV)

Borrowed Chords:
“`
Gsus4, G (From G Major)
“`

Similar Chord Progressions

1. “Fly Me To The Moon” by Frank Sinatra has a similar cyclical progression between minor and dominant 7th chords.

[`Am (i) -> Dm7 (iv) -> G7 (VII) -> Cmaj7 (III)`]

2. Another song with a similar harmonic approach is Radiohead’s “Exit Music (For a Film)”, especially with the use of both major and minor chords for tension and release.

[`C (I) -> Bm (ii) -> F#(V) -> G (VI) -> Dm (ii) -> Am (i) -> E7 (V7) -> Am (i)`]

These examples demonstrate how alternating between the minor tonic and a dominant 7th chord can result in captivating, emotionally resonant music across different genres and eras.

Musical Analysis

The repetitious pattern of Dm and A7 creates a sense of tension and resolution, with Dm serving as the tonic chord and A7 as the dominant chord, creating a pull back to the tonic. The Gsus4 and G are interesting as they’re from D minor’s relative major, G Major, which gives a brighter feel for a moment before returning back to the D minor tonality.

Overall Analysis

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Style Analysis

“For No One” stands out due to its Baroque pop influences, a style that was unique among The Beatles’ discography. This is evident in the use of the clavichord and French horn, which alongside the sophisticated, emotionally-charged chord progressions give the song a distinctive melancholic and nostalgic character.

Chords in the Chorus section of For No One by The Beatles are:

[‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘A7’, ‘Dm’, ‘Gsus4’, ‘G’]