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Related Music Theory Alchemy

“Come Together”, released by The Beatles in 1969 on their Abbey Road album, is a rock song known for its catchy bass-line, cryptic lyrics and iconic chorus. It’s written in D minor key, a common key in rock music. Across the progression, there is not only an interesting mix of different chords but also a novel use of borrowed chords that play a significant role in making the song mysterious, intriguing, and unique.

The song “Eight Days a Week” by The Beatles is an interesting example of pop music songwriting from the mid 1960’s. It showcases Paul McCartney and John Lennon’s ability to use common chord progressions and tweak them in a unique and recognizable way. It utilizes a simple progression in the verse but what makes it different is their use of 7th and borrowed chords. The key of the song is D major.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

The song “3s and 7s” by Queens of the Stone Age is in the key of A# minor. The chord progression predominantly features three chords: A#m, G#, and F. The progression utilizes elements of rock and metal music, characteristic of the band’s style. The composition has a darker feel brought by the use of minor chords and dropped tuning, which is frequently employed in harder styles of rock music.

The Beatles – Come Together – Verse 1

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Chord Progression

[‘Dm’, ‘Dm’, ‘A’, ‘G’]

Chord Progression Analysis

Here is the chord progression of Verse 1 along with the full chord names and their roman numerals:

D minor (i)
D minor (i)
A major (V)
G major (IV)

Every chord exists naturally in the key of D minor, thus there are no borrowed chords in this progression.

Similar Chord Progressions

1. “Bad Moon Rising” by Creedence Clearwater Revival has similar chord progression:
D major (I)
A major (V)
G major (IV)
D major (I)

2. “Sweet Child o’ Mine” by Guns N’ Roses also shares a similar progression in the verse:
D major (I)
C major (bVII)
G major (IV)
D major (I)

This analysis only covers Verse 1 of the song, but the overall structure and progression vary throughout, with the use of the chords Bm and Bm/A making appearances in other parts of the song, enhancing its overall complexity and musical interest.

Musical Analysis

The chord progression’s unique character stems from its repetition and simplicity. The repeated D minor chord emphasizes the overall tonal center of the song. The A major to G major progression is a characteristic example of a V-IV cadence in minor, which creates an unresolved tension. The harmonic rhythm is consistent, with each chord receiving equal duration, lending to the steady and hypnotic groove of the song.

Overall Analysis

“Come Together” by The Beatles, like many other Beatles songs, is known for its unique melody and innovative chord progressions. The song is written in the key of D minor and employs frequent use of bluesy pentatonic scale patterns. The meter is 4/4 (common time). The song is characterized by the use of common chords, with the exception of the Bm and Bm/A chords which are noteworthy.

Style Analysis

“Come Together” is influenced by blues and rock and roll. Its simple and repetitive chord progression are features commonly found in these genres. The straightforward progression also serves as a background for the complex vocal melody and the signature bass line. The Beatles often employed standard rock/pop chords, but would arrange them in often unexpected and innovative ways.

Chords in the Verse 1 section of Come Together by The Beatles are:

[‘Dm’, ‘Dm’, ‘A’, ‘G’]