Search

Related Music Theory Alchemy

**

The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

**

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The song “Closer” by Nine Inch Nails is a dark and provocative piece built upon a relentless, driving chord progression and sinuous melodies. The downbeat feel and chromaticism contribute to the brooding, unsettling mood of the song, which is a hallmark of the industrial rock genre. The piece is in the key of B minor.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

The Beatles – Blackbird – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘G’, ‘Am7’, ‘G/B’, ‘G’, ‘C’, ‘C#dim’, ‘D’, ‘D#(b5)’, ‘Em’, ‘Ebaug’, ‘D’, ‘Dbdim’, ‘C’, ‘Cm’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’, ‘C’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’, ‘C’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’]

Chord Progression Analysis

**

Verse:

Here’s the chord progression for the verse with full chord names.

“`
G (I) – Am7 (ii7) – G/B (I/III) – G (I))
C (IV) – C#dim (iv♯°) – D (V) – D#(b5) (♭V(b5)) – Em (vi) – Ebaug (vi♭(#5)) – D (V) – Dbdim (♭V°) – C (IV) – Cm (iv(minor) – borrowed chord from G minor)
G/B (I/III) – A7 (V7/ii) – C/D (IV/V) – G (I)
C (IV) – G/B (I/III) – A7 (V7/ii) – C/D (IV/V) – G (I) –
C (IV) – G/B (I/III) – A7 (V7/ii) – C/D (IV/V) – G (I)
“`

**

Similar Chord Progressions

**

One song with similar harmonic complexity is “Stairway to Heaven” by Led Zeppelin, which combines a variety of chords, similar to “Blackbird,” though this progression is not as chromatically active.

Verse Chord Progression:

“`
Am (i) – G#°/B# (vii°/VI) – C/D (VI/VII) – D/F# (VII/IX) – Fmaj7 (VI maj7) – Am (i) – G (VII) – Am (i)
“`
Also, “Daydream Believer” by The Monkees has a similar feel:

Verse Chord Progression:

“`
G (I) – D (V) – G (I) – Bm (iii) – Em (vi) – Am (ii) – D7 (V7) – G (I)
“`

Musical Analysis

**

There are two main aspects of this chord progression that make it unique: its use of secondary dominants (A7), which function to temporarily tonicize a non-tonic chord (in this case the ii chord, Am), and its use of a borrowed chord from the parallel minor key (Cm). These elements contribute to the progression’s distinct sound.

The progression also does not follow a standard 4-chord loop commonly seen in pop/rock music of the time, but rather goes on a journey with several unique changes. Non-diatonic chords such as the D#(b5), Dbdim, and the Ebaug chords further disrupt the expected feel of the key.

Furthermore, the inversion of the primary G chord (G/B) gives a distinctive color to the progression.

**

Overall Analysis

**

“Blackbird” by The Beatles is a song mostly in the key of G Major. It’s known for its interesting guitar work and unconventional chord progression. The song employs a mix of functional and non-functional harmony, striking a balance between traditional diatonic harmony and more experimental harmonic ideas. The chord progression also includes several chromatic or borrowed chords (Cm, Dbdim, D# (b5), C#dim, and Ebaug).

**

Style Analysis

**

“Blackbird” is one of the Beatles’ more harmonic adventurous songs, showcasing their ability as innovators within the pop music realm. The combination of standard folk acoustic picking with rare and borrowed chords, as well as its irregular structure defying the typical verse-chorus form, sonically painting a landscape that is famously Beatles.

**

Chords in the Verse section of Blackbird by The Beatles are:

[‘G’, ‘Am7’, ‘G/B’, ‘G’, ‘C’, ‘C#dim’, ‘D’, ‘D#(b5)’, ‘Em’, ‘Ebaug’, ‘D’, ‘Dbdim’, ‘C’, ‘Cm’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’, ‘C’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’, ‘C’, ‘G/B’, ‘A7’, ‘C/D’, ‘G’]