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“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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The Beatles – All You Need Is Love – Verse

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’]

Chord Progression Analysis

“`
– G Major (I)
– D Major (V)
– E minor (vi)
– G Major (I)
– D Major (V)
– E minor (vi)
– A minor (ii from borrowed G Mixolydian scale)
– G Major (I)
– D Major (V)
– D Major (V)
– D7 (V7 from borrowed D Mixolydian scale)
– D6 (V6 from borrowed D Mixolydian scale)
– D Major (V)
“`

Chord Progression:
“`
I – V – vi – I – V – vi – ii* – I – V – V – V7* – V6* – V
“`
(* indicates borrowed chords)

Similar Chord Progressions

“The Stones – Paint It Black” has a similar progression in the key of D minor. It borrows elements from the D Phrygian mode in a sense similar to how The Beatles employed the Mixolydian mode in “All You Need Is Love”.
“`
– E minor (v)
– D Major (IV)
– E minor (v)
– D Major (IV)
– A minor (iv from borrowed D Phrygian scale)
– E minor (v)
– D Major (IV)
– D Major (IV)
– D7 (IV7)
– D6 (IV6)
– D Major (IV)
“`

Chord Progression:
“`
v – IV – v – IV – iv* – v – IV – IV – IV7 – IV6 – IV
“`
(* indicates borrowed chords)

Musical Analysis

The progression opens and closes on the tonic chord (G major), establishing a clear sense of the home key. The movement from G to D (I-V) is a traditional cadence that drives the melody forward. The Am chord serves as a borrowed chord from the Mixolydian mode of G. The D7 and D6 chords are borrowed from the Mixolydian mode of D, providing a slight twist of character within the progression. The consistent inclusion of the V – I plagal cadence adds to the anthemic quality of the song.

Overall Analysis

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

Style Analysis

The Beatles frequently played with Modal Interchange and borrowed chords in their songwriting, which is seen in this song. The Mixolydian mode, in particular, is a common choice for them, offering a major chapter sound with a flattened 7th degree for added bluesy feel. Furthermore, the reiteration of the same sequence enhances the song’s sing-along character at the heart of the Beatles public image.

Chords in the Verse section of All You Need Is Love by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘G’, ‘D’, ‘Em’, ‘Am’, ‘G’, ‘D’, ‘D’, ‘D7’, ‘D6’, ‘D’]