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The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

“A Hard Day’s Night” by The Beatles is a song that was unusually complex and beautifully experimental. It uses rarely seen chord structures that emphasize both traditional tonality and borrowed tones from outside the key signature. This song is an excellent example of Beatles-style blending of rock & roll and pop music with elements of classical chord progressions and harmonies. It is also a great example of how The Beatles stretched the boundaries of diatonic harmony.

“Something” is composed in C Major; however, it modulates to several different keys. The song’s chord progression is relatively complex and less adherent to traditional tonality, typical of much of The Beatles’ work, particularly in their later years. Throughout the song, they make use of several common progressions, but with a few unique changes.

“Here, There and Everywhere” is a Beatles song from the album “Revolver”, released in 1966. The song is in the key of G major and showcases an advanced use of borrowed chords and modulations, a topic that contributes to the originality of this song. McCartney credited the song’s structure of changing key to Brian Wilson’s influence in the same period.

The Beatles – A Day In The Life – Middle 8

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Chord Progression

[‘E’, ‘Dsus2’, ‘E’, ‘B7sus4’, ‘E’, ‘B7sus4’, ‘E’, ‘Dsus2’, ‘E’, ‘B7sus4’, ‘E’, ‘B7sus4’]

Chord Progression Analysis

“`code
E Major (I)
Dsus2 (bVII)
E Major (I)
B7sus4 (V7sus4)
E Major (I)
B7sus4 (V7sus4)
E Major (I)
Dsus2 (bVII)
E Major (I)
B7sus4 (V7sus4)
E Major (I)
B7sus4 (V7sus4)
“`
In the Middle 8, the song employs a key change from G Major to E Major. The structure oscillates between the tonic E and V7sus4 (suspended dominant) B7sus4 giving an unresolved tension typical of “The Beatles”. The frequent use of Dsus2 as a borrowed chord from the parallel minor contributes to the melancholic, dream-like mood of the part.

Similar Chord Progressions

The song “Because” by The Beatles presents a similar progression. They use Emaj7, D#m7, G#m, C#m, F#sus4, B, and E in the verses, which shows an equally complex interaction of chords and further intensifies the dreamy and surreal mood.
“`code
E Major 7th (I Maj7)
D# Minor 7th (vii min7)
G# Minor (iii min)
C# Minor (vi min)
F#sus4 (II sus4)
B Major (V)
E Major (I)
“`
They were not alone to use such complex progression; Radiohead’s “Paranoid Android” also employs a grand range of chords and key changes that contribute to a sense of beautiful chaos throughout the song.

Musical Analysis

The use of the borrowed chord from the parallel minor (Dsus2) in a major key song (E Major in this case) is a well-known device called modal interchange. The Beatles were masters of this technique, and their use of non-diatonic chords contributes significantly to their unique sound. The unresolved tension between E and B7sus4 also adds to the dreamy state of the middle 8.

Overall Analysis

“A Day In The Life” is a progressive rock song from the “Sgt Pepper’s Lonely Hearts Club Band” album, released in 1967. The progression includes some well-known chords, along with more unusual chords and alterations that contribute to the unique sound of the song.

Style Analysis

The Beatles’ music style in “A Day In the Life” is known to be baroque pop, merging their pop/rock style with things common in baroque music like orchestras and harpsichords. Their unique use of rhythm, harmonies, and melodic structures differentiate them from their contemporaries, a fact emphasized by their adventurous chord choices and unconventional song sequence.

Chords in the Middle 8 section of A Day In The Life by The Beatles are:

[‘E’, ‘Dsus2’, ‘E’, ‘B7sus4’, ‘E’, ‘B7sus4’, ‘E’, ‘Dsus2’, ‘E’, ‘B7sus4’, ‘E’, ‘B7sus4’]