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Related Music Theory Alchemy

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

The Smashing Pumpkins – 1979 – Verse 3

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Chord Progression

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]

Chord Progression Analysis

The Verse 3 chord progression is:

– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– E Major 7th (‘V7’)
– E Major (‘V’)
– A Major (‘I’)
– F# Major (‘ii’)
– A Major (‘I’)

Borrowed Chord:

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F# Major (‘ii’)
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This F# Major is a borrowed chord. Normally in the key of A, the ii chord would be F# minor, so this is a departure from the expected pattern.

Similar Chord Progressions

Neil Young’s “Heart Of Gold” has a similar progression:

– Em (‘ii’)
– Cmaj7 (‘IV7’)
– D (‘V’)
– G (‘I’)
– Cmaj7 (‘IV7’)
– G (‘I’)
– D (‘V’)
– G (‘I’)

Radiohead’s “High and Dry” is also reminiscent:

– Fmaj7 (‘IV7’)
– Am (‘v’)
– Dm (‘ii’)
– E (‘V’)
– Am (‘v’)
– Em (‘ii’)
– G (‘I’)
– E (‘V’)

In both cases, observe the use of the seventh chords injecting a sense of complexity and the movement of major to minor chord progression which resonate with the chord pattern in “1979”.

Musical Analysis

The main component driving the progression in “1979” is the I-V7-V-I movement, which, with the addition of the borrowed ii chord of F# Major, gives the song a unique twist. The E Major 7th chords provide a sense of resolution, adding a leisurely, relaxed feel and allowing the melody to flow above the chords.

Overall Analysis

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

Style Analysis

This song represents The Smashing Pumpkins’ signature blend of alternative rock and electronic elements. The chord progression, distinct melody, and the penetrating lyrics contribute to its timeless appeal. This combination illustrates the band’s ability to craft songs that are complex and full of emotional depth, yet also catchy and accessible.

Chords in the Verse 3 section of 1979 by The Smashing Pumpkins are:

[‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘Emaj7’, ‘E’, ‘A’, ‘F#’, ‘A’]