Music Theory Alchemy

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“Bullet With Butterfly Wings” by The Smashing Pumpkins is an alternative rock song released in 1995. The song is in the key of E minor and primarily uses power chords derived from the E minor scale throughout the song. Power chords or ‘5’ chords, like B5 or G5, don’t have a major or minor quality and are often used in rock music for their strong and neutral sound. The song also applies modal mixture (borrowing chords from parallel keys) for color and tension.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

The Smashing Pumpkins – Bullet With Butterfly Wings – Verse 2

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Chord Progression

[‘B5’, ‘Em’, ‘G5’]

Chord Progression Analysis

The verse progression could be loosely placed in the key of E minor, but the absence of thirds in the power chords leaves this ambiguous. In this key, the B5 could be called a B minor (bVII), Em would be the tonic (i), and G5 the submediant (bVI).

The full chord names and their roman numerals (in the context of E minor) would be:

“`
B minor (bVII)
E minor (i)
G major (bVI)
“`

Note: It is important to observe that the ‘5’ in the chord names indicates that these are ‘5th’ or ‘power’ chords, which only consist of the root and the perfect fifth – they don’t contain the third (which usually determines the major/minor quality of a chord).

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”: F5 – Bb5 – Ab5 – Db5 – known for its similar use of power chords.

2. Soundgarden – “Outshined”: G5 – Bb5 – D5 – Eb5 – spanning several different keys on a consistent progression of power chords.

3. Radiohead – “Creep”: G5 – B5 – C5 – Cm5 – although this Radiohead classic isn’t grunge, per se, it does feature ambiguous tonality brought about by power chords.

4. Black Sabbath – “Iron Man”: B5 – D5 – E5 – a classic example of power chord use in early metal and rock.

Remember, the nature of power chords gives them a universal quality, usable in any genre for any mood – they don’t convey a specific mood themselves without a broader musical context. Context and treatment are exactly what bands like Smashing Pumpkins brought to bring new life to this simple harmonic device.

Musical Analysis

The mixture of power chords in a minor key setting, particularly the raised subtonic (VII), is characteristic of the grunge style. They contribute to the overall ambiguous tonal center, which can be seen as characteristic of much of The Smashing Pumpkins’ work, and most notably the grunge and rock genres of the period. Being ‘power’ chords, they contain no third – and therefore give a neither major nor minor tonality.

Overall Analysis

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Style Analysis

The grunge era was known for its heavy uses of power chords, ambiguous tonal center, and dark lyrical themes – all characteristics present in “Bullet With Butterfly Wings”. The Smashing Pumpkins were unique in their extensive use of quartal harmonies (based on intervals of a fourth), tonal ambiguity, and frequent oscillation between chords.

Chords in the Verse 2 section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘Em’, ‘G5’]