Music Theory Alchemy

Search

Related Music Theory Alchemy

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

**
“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

**

Grizzly Bear – Yet Again – VERSE 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]

Chord Progression Analysis

This is the chord progression for Verse 3:
“`
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
– A minor (‘i’)
– G major (‘VII’)
– C major (‘III’)
– F major (‘VI’)
– F major (‘VI’)
– E minor (‘v’)
– A minor (‘i’)
– D minor (‘iv’)
“`
Borrowed chord:
“` D minor (‘iv’) is a borrowed chord from the parallel key (A minor) “`

Similar Chord Progressions

1. Radiohead – Paranoid Android [“Em, G, D, Am”]
“`
– E minor (‘i’)
– G major (‘III’)
– D major (‘VII’)
– A minor (‘iv’)
“`

2. Smashing Pumpkins – 1979 [“G, D, C, C”]
“`
– G major (‘I’)
– D major (‘V’)
– C major (‘IV’)
– C major (‘IV’)
“`

These songs show similar use of the minor i chord, and also employ sequences of III, VII, and IV chords. They share a similar exploratory, haunting quality with “Yet Again”.

Musical Analysis

In A minor, the primary chords are Am, Dm, Em (i, iv, V). Here, we see those primary chords present, along with chords borrowed from the parallel major (A major)—those chords being C, F, G which are III, VI, and VII respectively. The presence of ‘VII’ (G major) and ‘VI’ (F major) chords add a mixolydian flavor to the song. The repeating sequence of ‘III-VI-VI-V’ contributes to the haunting feeling of the progression.

Overall Analysis

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

Style Analysis

Grizzly Bear’s style is often characterized by complex harmonic structures and detailed arrangements. Their use of dynamics and layering in “Yet Again” is typical of their oeuvre and creates a sense of space, depth, and emotional resonance. The progression and construction of the song reflect influences from both classic rock and progressive pop, marrying simplicity in song structure with a complex and emotionally charged harmonic language.

Chords in the Verse 3 section of Yet Again by Grizzly Bear are:

[‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’, ‘Am’, ‘G’, ‘C’, ‘F’, ‘F’, ‘Em’, ‘Am’, ‘Dm’]