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Related Music Theory Alchemy

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

The Beach Boys – Good Vibrations – Bridge

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Chord Progression

[‘A’, ‘A’, ‘D’, ‘D’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘E7’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘F’, ‘G’, ‘A’, ‘G’]

Chord Progression Analysis

The bridge chord progression is A – A – D – D – A – A – E – F#m – B – E – F#m – B – E – F#m – B – E – E7 – A – D – A – D – A – D – A – D – G – C – G – C – G – C – G – C – F – G – A – G.

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A Major (‘I’), D Major (‘IV’), A Major (‘I’), E Major (‘V’), F# Minor (‘vi’), B Major (‘Borrowed II from the key of A major’), E Major (‘V’), F# Minor (‘vi’), B Major (‘Borrowed II’), E Major (‘V’), E7 (‘V7’), A Major (‘I’), D Major (‘IV’), A Major (‘I’), D Major (‘IV’), G Major (‘Borrowed bVII from the key of A major’), C Major (‘Borrowed bIII’), G Major (‘Borrowed bVII’), C Major (‘Borrowed bIII’), F Major (‘Borrowed bVI’), G Major (‘Borrowed bVII’), A Major (‘I’), G Major (‘Borrowed bVII’)
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Similar Chord Progressions

Similar unique and complex progressions can be found in the music of other innovators from roughly the same era. The Beatles’ “Strawberry Fields Forever” has a complex chord progression and use of modulation, as does “God Only Knows” and “Wouldn’t it be Nice” by Beach Boys themselves.

Unfortunately, it’s difficult to showcase the entire chord progressions of these songs as your inquiry due to their own complexity and the fact that they involve various different sections with their individual characteristics.

Musical Analysis

This progression uses two main borrowed chords, the B Major and the F Major, creating a sense of surprise and intrigue, typical of the psychedelic rock genre that The Beach Boys would help popularize. The contrast between the original key of A Major and the insertion of these unexpected borrowed chords produces a ‘colorful’ tonality that revolutionized pop music. The transition from the dominant E7 back to the tonic A at the end of the progression also has a pulling effect. It brings the listener back to familiar territory after the wanderings of the progression.

Overall Analysis

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

Style Analysis

“Good Vibrations” is a marked departure from the early surf rock style of The Beach Boys, instead showcasing rich harmonic intricacies that set it among the classics of psychedelic rock. This use of complex chord progressions, layered vocal harmonies, and unusual instrumentation like theremin and electro-theremin set the song apart and influenced future generations of musicians.

Chords in the Bridge section of Good Vibrations by The Beach Boys are:

[‘A’, ‘A’, ‘D’, ‘D’, ‘A’, ‘A’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘F#m’, ‘B’, ‘E’, ‘E7’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘G’, ‘C’, ‘F’, ‘G’, ‘A’, ‘G’]