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The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

Portishead – Its A Fire – Chorus

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Chord Progression

[‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’]

Chord Progression Analysis

We can say the song is in the key of F# Major, but the presence of chromatically foreign chords suggest a modal interchange behavior, where chords are borrowed from the parallel minor key. Here is the analysis of the chorus:

Chord progression: F# Major (I), C# Major (V), B Major (IV), repeated three times.

By examining the rest of the chords listed in the song, it seems that the verses and bridge sections may incorporate elements of modal interchange, borrowing chords from various modes.

Here is the processed chord progression in Roman Numerals formatted as requested:

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Similar Chord Progressions

In terms of style, the chord progression is a characteristic of Portishead’s affinity for blending elements of electronica, trip-hop, and jazz. Their unique blend of these oh-so-different styles creates an eerie, yet beautiful soundscape. The repeated chord progression in the chorus allows for the vocalist’s melody to weave in and out of the harmony, giving a spectral and ethereal quality to the piece.

Musical Analysis

F# Major (I)
C# Major (V)
B Major (IV)
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Overall Analysis

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

Style Analysis

The chord progression F# – C# – B is peculiar and rich, with a traditional sense of movement. The I-V-IV progression provides a strong, familiar sound, with a bit of uniqueness due to the interesting ending on the IV chord.

Together, the chords provide a melancholic and soulful atmosphere. The C# Major chord is particularly striking, demonstrating a modulation or accidental borrowing that heightens the emotive quality of the song. The song makes use of diatonic and non-diatonic chords, creating a rich harmonic landscape.

Chords in the Chorus section of Its A Fire by Portishead are:

[‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’, ‘B’, ‘F#’, ‘C#’]