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“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The song “Roads” by Portishead features a haunting yet melodic chord progression reminiscent of the minor key-oriented pop/rock of the 90’s. It combines chords from the key of A minor along with a borrowed chord from the parallel major key to create a moody, atmospheric soundscape typical of the trip-hop genre.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

“The Long and Winding Road” by The Beatles is an iconic pop ballad renowned for its rich harmonic content. It employs both modal interchange and secondary dominants, thus securing its place as an exemplary piece in pop music harmony. Its dominant tonality is D Major, however, it makes use of many borrowed chords.

Portishead – Its A Fire – Verse 1

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Chord Progression

[‘Gsus4’, ‘G’, ‘Bm’, ‘D’, ‘F’, ‘Gsus4’, ‘G’, ‘Em’, ‘G’, ‘Em’, ‘G’, ‘F’, ‘E’]

Chord Progression Analysis

Chord Progression: [‘Gsus4’, ‘G’, ‘Bm’, ‘D’, ‘F’, ‘Gsus4’, ‘G’, ‘Em’, ‘G’, ‘Em’, ‘G’, ‘F’, ‘E’]

Translating chords to Roman Numerals (Assuming G Major as our key):

Gsus4 (Isus4)
G (I)
Bm (iii)
D (V)
F (♭VII / a borrowed chord from G minor)
Gsus4 (Isus4)
G (I)
Em (vi)
G (I)
Em (vi)
G (I)
F (♭VII / a borrowed chord from G minor)
E (vi / a borrowed chord from G minor)

“`
Full Chord name (‘Roman Numeral)
Gsus4 (Isus4)
G (I)
Bm (iii)
D (V)
F (♭VII)
Gsus4 (Isus4)
G (I)
Em (vi)
G (I)
Em (vi)
G (I)
F (♭VII)
E (VII)
“`

Similar Chord Progressions

The chromaticism and complex harmonic structures in “It’s A Fire” bear similarities to those found in many works of Radiohead, especially “Paranoid Android,” and in some of the darker pieces of David Bowie such as “Life on Mars.”

Radiohead – Paranoid Android:
[‘Em’, ‘G’, ‘B’, ‘D’, ‘C’, ‘F#’, ‘Em’, ‘G’, ‘Am’, ‘Em’, ‘G’, ‘Am’, ‘C’, ‘B’]

David Bowie – Life on Mars:
[‘F’, ‘Em’, ‘Dm’, ‘F’, ‘G’, ‘Bb’, ‘Am’, ‘Bb’, ‘Dm’, ‘Em’, ‘A’, ‘Dm’, ‘Em’, ‘F’].

Note: For the purpose of this analysis, assume that these songs are in the keys of E minor and F major, respectively.

Musical Analysis

The use of suspended chords and borrowed chords in this song suggests a sense of emotional ambiguity, shifting between tension and release. Additionally, the resolution from Gsus4 to G creates a tension-release pattern that gives a color characteristic of Portishead’s style.

Overall Analysis

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Style Analysis

Portishead is known for their unique fusion of electronic music, hip hop beats, and jazz elements, a style often referred to as trip hop. Their use of complex chord structures, borrowed chords, and non-diatonic harmonies is consistent with the genre’s mood-setting characteristics, offering an intricate texture and emotional depth that’s distinguishing of their style.

Chords in the Verse 1 section of Its A Fire by Portishead are:

[‘Gsus4’, ‘G’, ‘Bm’, ‘D’, ‘F’, ‘Gsus4’, ‘G’, ‘Em’, ‘G’, ‘Em’, ‘G’, ‘F’, ‘E’]