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“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Elton John – Sorry Seems To Be The Hardest Word – Verse 2

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Chord Progression

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]

Chord Progression Analysis

Below is a listing of all the full chord names and their roman numerals in the progression given:

“`chord-block
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
F#m7-5 (‘ii°7’),
B7sus4 (‘v7sus4’),
Em (‘i’),
Em7 (‘i7’),
Am (‘iv’),
D (‘vii’),
D7 (‘VII7’),
G (‘III’),
D/F# (‘VII6/5’)
“`
G, D, and D7 are borrowed from the parallel major.

Similar Chord Progressions

1. The Beatles: “Let It Be”

Here also the chord progression moves between minor and major. The original key is C Major, but it frequently utilizes the parallel minor key of A minor for contrast. The progression is:

“`chord-block
C (‘I’),
G (‘V’),
Am (‘vi’),
F (‘IV’)
“`

2. Trouble by Coldplay:

Here the band also uses a variation of the i-iv-vii progression to great effect. The progression in E Minor is:

“`chord-block
Em7 (‘i7’),
Am7 (‘iv7’),
D/F# (‘VII6/5’)
“`

Musical Analysis

Elton John moves his progression back and forth between minor (i) and major (III), culminating in the transitional D/F# from the vii of Em to the III (G) of the key. This combination of tension (from the half-diminished F#m7b5 and sus4 chords) and resolution (from the major-minor transitions) forms the emotional core of the song. The use of the Em7 emphasizes the key center while the Am provides a smooth transition point.

Overall Analysis

“Sorry Seems to Be The Hardest Word” is in the key of E minor and shifts to the relative major (G major) at various points, it demonstrates Elton John’s mastery of the line between major and minor keys. It’s a melancholic song with a moderate tempo. The use of both minor and major chords in Elton John’s progression signifies the tension and release in the song’s melody and lyrics.

Style Analysis

John consistently utilizes ‘borrowed’ chords from parallel keys to add color and emotional weight to his progressions. His use of 7th and sus4 chords also helps to provide tension and drama that enhances the emotional impact of both the melodic and lyrical content. The use of the D/F# as a bass walk down transitioning chord is a common stylistic choice for Elton.

Chords in the Verse 2 section of Sorry Seems To Be The Hardest Word by Elton John are:

[‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘F#m7-5’, ‘B7sus4’, ‘Em’, ‘Em7’, ‘Am’, ‘D’, ‘D7’, ‘G’, ‘D/F#’]