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Related Music Theory Alchemy

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Elton John – Your Song – Verse 2

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]

Chord Progression Analysis

“`
– D Major (I)
– G Major 7th (IV7)
– A Major with C# in the bass (V6)
– F# Minor (iii)
– B Minor (vi)
– B Minor with A in the bass (vi6)
– B Minor with G# in the bass (vi♭6)
– G Major 7th (IV7)
– D Major (I)
– A Major (V)
– F# Major (♭III, borrowed from D Major’s parallel minor)
– B Minor (vi)
– D Major (I)
– E Minor 7th (ii7)
– G Major (IV)
– A Major (V)
– Repeats the above progression once more
“`

Similar Chord Progressions

The Beatles used some similar chord motion in their song “Something” where George Harrison cleverly mixed major and minor chords.

“`
– C Major (I)
– C Major 7th (I7)
– Ami7 (vi7)
– Ami7/G (vi7/5)
– D7 (V7/IV)
– F Major (IV)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
– A minor/G (vi6)
– D7 (V7/IV)
– F Major (IV)
– C Major (I)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
“`
Another song would be Stevie Wonder’s “Sir Duke” with its unique combination of chromatic movements and modal interchange.

“`
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
“`

These soulful chord progressions express a similar sense of emotional complexity and depth found in “Your Song”.

Musical Analysis

This progression features a conventional start with I (D Major), moving to IV7 (G Major 7th), a characteristic Elton John move. The sequence then becomes more complex by moving to complex chordal structures such as A Major over C# (indicating a secondary dominant), which resolves to the mediant chord (F# Minor). There is a descending bass line featured in B Minor, B Minor/A, and B Minor/G#, which provides a dramatic sense of motion.

Overall Analysis

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Style Analysis

Elton John’s style often includes grand expressions and a sense of yearning with his chord choices. For example, the borrowed F# Major (which is not part of the D Major scale) confers a particularly poignant and dramatic effect to the progression.

Chords in the Verse 2 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]