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Related Music Theory Alchemy

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

Elton John – Your Song – Verse 2

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Chord Progression

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]

Chord Progression Analysis

“`
– D Major (I)
– G Major 7th (IV7)
– A Major with C# in the bass (V6)
– F# Minor (iii)
– B Minor (vi)
– B Minor with A in the bass (vi6)
– B Minor with G# in the bass (vi♭6)
– G Major 7th (IV7)
– D Major (I)
– A Major (V)
– F# Major (♭III, borrowed from D Major’s parallel minor)
– B Minor (vi)
– D Major (I)
– E Minor 7th (ii7)
– G Major (IV)
– A Major (V)
– Repeats the above progression once more
“`

Similar Chord Progressions

The Beatles used some similar chord motion in their song “Something” where George Harrison cleverly mixed major and minor chords.

“`
– C Major (I)
– C Major 7th (I7)
– Ami7 (vi7)
– Ami7/G (vi7/5)
– D7 (V7/IV)
– F Major (IV)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
– A minor/G (vi6)
– D7 (V7/IV)
– F Major (IV)
– C Major (I)
– E Major (V/vi, borrowed chord/secondary dominant)
– A minor (vi)
“`
Another song would be Stevie Wonder’s “Sir Duke” with its unique combination of chromatic movements and modal interchange.

“`
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
– G#m7 (vi7)
– D#m7 (iii7)
– E6 (IV6)
– B Major (I)
– F#7/A# (V7/V6)
– B Major/F# (I6)
– B Major (I)
“`

These soulful chord progressions express a similar sense of emotional complexity and depth found in “Your Song”.

Musical Analysis

This progression features a conventional start with I (D Major), moving to IV7 (G Major 7th), a characteristic Elton John move. The sequence then becomes more complex by moving to complex chordal structures such as A Major over C# (indicating a secondary dominant), which resolves to the mediant chord (F# Minor). There is a descending bass line featured in B Minor, B Minor/A, and B Minor/G#, which provides a dramatic sense of motion.

Overall Analysis

“Your Song” is characterized by a varied and complex chord progression that helps to emphasize the emotional complexity of the lyrics. This is apparent in the progression used in Verse 2, which employs several techniques used frequently by Elton John. These include the use of secondary dominants, borrowed chords, modal mixture, and chromatic bass movements to add emotional color and reinforce the feeling of tension and resolution in the song’s narrative.

Style Analysis

Elton John’s style often includes grand expressions and a sense of yearning with his chord choices. For example, the borrowed F# Major (which is not part of the D Major scale) confers a particularly poignant and dramatic effect to the progression.

Chords in the Verse 2 section of Your Song by Elton John are:

[‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘A’, ‘D’, ‘Gmaj7’, ‘A/C#’, ‘F#m’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘Gmaj7’, ‘D’, ‘A’, ‘F#’, ‘Bm’, ‘D’, ‘Em7’, ‘G’, ‘D’]