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Related Music Theory Alchemy

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

“My Name Is Jonas” by Weezer is a 90’s alternative rock song that features a catchy and memorable chord progression during its chorus. The harmony is simple and combines both major and minor chords, giving it a balanced and well-rounded sound. It is worth noting that this progression is fairly common in popular music, particularly in rock and indie genres.

The chord progression in the chorus of Muse’s “New Born” is an interesting mix of diatonic, borrowed, and modal interchange chords, displaying a strong connection to rock music with its use of suspended chords and chromatic passing tones. The progression demonstrates the band’s compositional skill and creativity.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

Johnny Cash – Hurt – Chorus 2

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Chord Progression

[‘Am’, ‘F’, ‘C’, ‘G’]

Chord Progression Analysis

“`
vi, IV, I, V
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C – G – Am – F
I – V – vi – IV
“`

2. “No Woman, No Cry” by Bob Marley:
“`
C – G – Am – F
I – V – vi – IV
“`

3. “Poker Face” by Lady Gaga:
“`
G#m – E – B – F#
vi – IV – I – V
“`

4. “Can’t Stop the Feeling!” by Justin Timberlake:
“`
Am – F – C
vi – IV – I
“`

As seen in each of the examples, the (I – V – vi – IV) progression is very common and effective for creating pop/rock songs. In each case, the mood of the song is impacted by the artists’ handling of tempo, rhythm, melody, and lyrics over the chord progression.

Musical Analysis

Rhythmically, the song has an almost march-like quality, with a steady tempo that reinforces the desolate, endless feel of the song. Melodically, “Hurt” is straightforward, making use of the tonal center C and focusing primarily on the tonic, third, and fifth tones of the scale with infrequent chromatic non-chord tone use.

Overall Analysis

“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

Style Analysis

Johnny Cash’s rendition of the song retains the somber feel of the original yet imbues it with his characteristic country sound, his deep baritone voice, and just an accompaniment on his acoustic guitar. The simplicity and stripped back nature of the performance, combined with the weightiness the chord progression lends itself to the sincerity of the emotion that is being conveyed – regret, salvation, and ultimately, acceptance.

Chords in the Chorus 2 section of Hurt by Johnny Cash are:

[‘Am’, ‘F’, ‘C’, ‘G’]