Search

Related Music Theory Alchemy

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

**

The overall chord progression of “A Hard Days Night” by The Beatles fluctuates between major and minor keys which adds a level of emotional complexity to the song. The use of borrowed chords and unique transitions makes it a noteworthy piece in the realm of 20th-century popular music.

**

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

The chord progression in the verse of “Knights of Cydonia” by Muse features a mix of diatonic and borrowed chords, primarily from the G# minor and E major keys. The progression features an interesting blend of major and minor chords, chromatic movement, and modulation, contributing to the epic and powerful sound of the track.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

The Beatles – Hey Jude – Verse

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]

Chord Progression Analysis

“`
D (I)
A (V)
A7 (V7)
D (I)
G (IV)
D (I)
A (V)
A7 (V7)
D (I)
“`

This is a fairly typical pop/rock progression that loosely follows a I-V-IV-I pattern. However, this pattern is made more complex with the use of the V7 (A7 in this case) to add tension and depth.

Similar Chord Progressions

Here are a few songs with

Musical Analysis

“Hey Jude” is a poignant and touching composition. Musically, the initial part of the progression is designed to create a strong emotional bond with the listener. The song begins on the tonic chord (D), moves to the dominant (A), adds a seventh for tension (A7), then resolves back to the tonic (D). This is followed by a move to the subdominant (G), before returning to the tonic (D) and repeating the sequence. This simple yet effective progression helps create the song’s distinctive emotional landscape. Furthermore, the frequent return to the tonic chord (D) creates a sense of stability and resolution, underscoring the song’s overall comforting feel.

Overall Analysis

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

Style Analysis

In terms of style, “Hey Jude” is quintessentially Beatles. Its creative harmonic progressions, use of borrowed chords, and blending of rock, pop, and classical elements is characteristic of their late-period work. Additionally, the song’s unconventional structure (lacking a traditional verse-chorus-bridge format) and its extended “na-na-na” coda also mark it as a standout example of The Beatles’ innovative approach to songwriting.

Chords in the Verse section of Hey Jude by The Beatles are:

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]