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Related Music Theory Alchemy

“Wicked Game” by Chris Isaak utilizes a repetitive three-chord-per-measure progression throughout the song. It is notable for its haunting, melancholic, and mysteriously romantic sound largely because of its repeated progression and very carefully chosen blend of major and minor chords, within the key signature of B minor.

“Wicked Game” is a song that sits neatly within the Pop-Rock category and is known for its haunting melody and introspective lyrics. It has a very simple chord progression that affects a moody, melancholic ambience. This type of progression is very common in popular music across all genres due to its simplicity and potential for various melodic and lyrical directions.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

Chris Isaak – Wicked Game – Verse 2

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

Here is a complete listing of the full chord names and their Roman Numerals:

“`
B minor (‘i’),
A Major (‘VII’),
E Major (‘IV’)
“`

There are no borrowed chords in this chord progression.

Similar Chord Progressions

“Every Breath You Take” by The Police and “Stand By Me” by Ben E. King use similar, though not identical, progressions. The following are the chord progressions of these songs:

“Every Breath You Take” by The Police – [G Major (‘I’), Em (‘vi’), A7 (‘VII7’), D (‘IV’), C (‘♭III’)]

“Stand By Me” by Ben E. King – [C# minor (‘i’), E Major (‘III’), F# Major (‘V’), B Major (‘VII’)]

Although these progressions are not completely similar to “Wicked Game,” they share the quality of repeating the same sequence of chords throughout the entire song, and have a similar mood.

Musical Analysis

The song utilizes a basic three-chord progression throughout most of the song, revolving around the B minor key’s tonic (‘i’), subtonic (‘VII’) and subdominant (‘IV’) chords. This progression contributes to the song’s dreamy and melancholic mood. The use of the E Major chord in the progression (‘IV’) is interesting, indicating a deviation from the conventional diatonic chords found in a typical B minor key, which would typically have an E minor instead of an E Major.

Overall Analysis

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

Style Analysis

“Wicked Game” is heavily influenced by the rockabilly and roots rock styles of the 1950s and early ’60s, as evidenced by its simple, yet effective chord progressions and soaring falsetto vocals. However, its production and atmosphere lean more towards an echoing, dreamy style which was popular in late ’80s and early ’90s pop music.

Chords in the Verse 2 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]