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“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

“Wicked Game” is a song that sits neatly within the Pop-Rock category and is known for its haunting melody and introspective lyrics. It has a very simple chord progression that affects a moody, melancholic ambience. This type of progression is very common in popular music across all genres due to its simplicity and potential for various melodic and lyrical directions.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

Chris Isaak – Wicked Game – Verse 2

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Chord Progression

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]

Chord Progression Analysis

Here is a complete listing of the full chord names and their Roman Numerals:

“`
B minor (‘i’),
A Major (‘VII’),
E Major (‘IV’)
“`

There are no borrowed chords in this chord progression.

Similar Chord Progressions

“Every Breath You Take” by The Police and “Stand By Me” by Ben E. King use similar, though not identical, progressions. The following are the chord progressions of these songs:

“Every Breath You Take” by The Police – [G Major (‘I’), Em (‘vi’), A7 (‘VII7’), D (‘IV’), C (‘♭III’)]

“Stand By Me” by Ben E. King – [C# minor (‘i’), E Major (‘III’), F# Major (‘V’), B Major (‘VII’)]

Although these progressions are not completely similar to “Wicked Game,” they share the quality of repeating the same sequence of chords throughout the entire song, and have a similar mood.

Musical Analysis

The song utilizes a basic three-chord progression throughout most of the song, revolving around the B minor key’s tonic (‘i’), subtonic (‘VII’) and subdominant (‘IV’) chords. This progression contributes to the song’s dreamy and melancholic mood. The use of the E Major chord in the progression (‘IV’) is interesting, indicating a deviation from the conventional diatonic chords found in a typical B minor key, which would typically have an E minor instead of an E Major.

Overall Analysis

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

Style Analysis

“Wicked Game” is heavily influenced by the rockabilly and roots rock styles of the 1950s and early ’60s, as evidenced by its simple, yet effective chord progressions and soaring falsetto vocals. However, its production and atmosphere lean more towards an echoing, dreamy style which was popular in late ’80s and early ’90s pop music.

Chords in the Verse 2 section of Wicked Game by Chris Isaak are:

[‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’, ‘Bm’, ‘A’, ‘E’]