Music Theory Alchemy

Search

Related Music Theory Alchemy

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Somewhere Only We Know” composed by Keane, is a pop-ballad that is based in the key of A Minor. It makes use of both diatonic and borrowed chords in a modern pop style progression that creates an oscillating feel, with repetition for familiarity and simple melody drawn from the underlying chords.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

The pre-chorus of Weezer’s “If You’re Wondering If I Want You To (I Want You To)” features a simple yet effective chord progression primarily centered around the D major chord. The piece overall follows a pop-rock, alternative musical style consistent with the typical sound of Weezer.

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

Keane – Somewhere Only We Know – Pre-Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘Em’, ‘Dm’, ‘F’, ‘G’, ‘Am’, ‘Em’, ‘Dm’, ‘F’, ‘G’]

Chord Progression Analysis

In the given pre-chorus, the chords are based in the key of A minor:

A minor (‘vi)

E minor (‘iii)

D minor (‘ii)

F Major (‘IV)

G Major (‘V)

The progression repeats twice. The song mainly stays in the key, with no borrowed chords in the pre-chorus.

“`A minor, E minor, D minor, F Major, G Major“`

Similar Chord Progressions

This chord progression might seem fairly unique due its particular order, however, these chords are very common in pop and rock music. A similar chord progression can be found in “Hallelujah” by Leonard Cohen, which follows a similar cyclical pattern with a sense of unresolved tension, although the order and key is different: C Major (‘IV), A minor (‘vi), F Major (‘IV), G Major (‘V).

Another song with somewhat similar chords is “Don’t Look Back in Anger” by Oasis, though it uses an additional chord and the progression is quite different, it does include the chords: C Major (‘I), D minor (‘ii), A minor (‘vi), G Major (‘V), and F Major (‘IV).

Note that the specific progressions and use of these chords in the context of individual songs can lead to quite different musical effects based on various factors such as melody, rhythm, instrumentation, and song structure.

Musical Analysis

This particular progression (vi-iii-ii-IV-V), is less common but still adheres to the prevalent use of 2-5-1 progressions seen throughout all genres of music. Here, the “Dm-F-G” can be seen as a ii-IV-V, and then the progression cycles back to vi. The shifts between vi-iii and ii-IV provide tension and release within the progression, ultimately resolving on the V chord, G Major, which then leads back to the vi chord, A minor, as the cycle begins anew.

Overall Analysis

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

Style Analysis

Keane is known for their reliance on the piano, atmospheric elements, and emotionally charged lyrics and melodies. The chord progression in the pre-chorus contributes to these stylistic elements by creating an emotive and somewhat unresolved atmosphere, fitting for the lyrics’ themes of ambiguity and longing.

Chords in the Pre-chorus section of Somewhere Only We Know by Keane are:

[‘Am’, ‘Em’, ‘Dm’, ‘F’, ‘G’, ‘Am’, ‘Em’, ‘Dm’, ‘F’, ‘G’]