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The Bridge 1 of “Stairway to Heaven” by Led Zeppelin is a beautiful and intriguing chord progression that combines diatonic chords, borrowed chords, and chromatic passing tones. This progression is part of a longer musical composition which has gained immense popularity since its release in 1971 as part of their fourth album, and has become one of the most iconic songs in rock music history.

“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

Led Zeppelin – Stairway To Heaven – Verse 1

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Chord Progression

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]

Chord Progression Analysis

“`
A minor (i),
A minor major 9 (iMaj9),
A minor 7 (i7),
D major/F# (IV6),
F major 7 (VI7),
G major (VII),
A minor (i)
–(x2)
C major (III),
D major/F# (IV6),
C major (III),
G major (VII),
D major (IV)
“`
`Borrowed chord: [‘D major/F# (IV6)`’]

Similar Chord Progressions

1. Pink Floyd – “Breathe”
“`
D7sus2/G (IV7sus2/III),
Gmaj7 (IVmaj7),
A7sus4 (V7sus4),
A7 (V7),
“`

2. Jethro Tull – “Aqualung”
“`
Fmaj7 (VI7),
Dm (iv),
G7sus4 (VII7sus4),
G7 (VII7)
“`

3. Genesis – “Firth of Fifth”
“`
Cmaj7 (III7),
Ebmaj7 (bV7),
Fmaj7 (VI7),
G#maj7 (bVII7),
Abmaj7 (bVIM7)
“`

Musical Analysis

The verse begins with a tonic A minor chord, establishing the tonal center of the piece. The progression then moves through Ammaj9 and Am7, creating a chromatic descent in the melody. The borrowed chord, D major/F# (IV6), adds tension and intrigue to the progression, serving as a secondary dominant leading back to the relative major, Fmaj7.

The use of the Fmaj7 and G chords adds a sense of resolution to the progression, leading back to the tonic A minor. The inclusion of the C major (III) and D major (IV) chords in the latter part of the verse adds further interest and movement, while G major (VII) serves as a dominant function leading back to the tonic.

Overall Analysis

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Style Analysis

“Stairway to Heaven” is a fusion of progressive rock, folk, and hard rock, as it combines intricate acoustic fingerpicking with powerful guitar solos and a highly dynamic arrangement. The chord progression in the verse reflects an eclectic mix of diatonic, chromatic, and borrowed chords that are typical of progressive rock, contributing to the song’s atmospheric quality.

Chords in the Verse 1 section of Stairway To Heaven by Led Zeppelin are:

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]