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Related Music Theory Alchemy

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

“House of the Rising Sun” by The Animals features a repeating chord progression in a minor key that gives the song a haunting, melancholic feel. This progression moves through the circle of fifths, features borrowed chords from its relative major key and has a strong resolution from the dominant to the tonic.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Oasis – Dont Look Back In Anger – Verse 1

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]

Chord Progression Analysis

First Phrase [‘C’, ‘G’, ‘Am’, ‘E7’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)

Second Phrase [‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)

Third Phrase [‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]
C major (I)
G major (V)
A minor (vi)
E7 (III7)
F major (IV)
G major (V)
C major (I)
A minor (vi)
G major (V)
F Major (IV)

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C major – G major is a I-V progressions in C major.
A minor – E7 is a vi-III7. E7 is a borrowed chord from the key of A minor
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Similar Chord Progressions

The Beatles’ “Let It Be” also uses the I-V-vi-IV progression:
C major (I)
G major (V)
A minor (vi)
F Major (IV)

Journey’s “Don’t Stop Believin’” employs the I-V-vi-IV progression in its iconic piano part:
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Green Day’s “When I Come Around” observes a I-V-vi-IV progression:
G Major (I)
D Major (V)
E minor (vi)
C major (IV)

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In the above examples, the last chord in each progression is a plain major chord (IV), unlike the III7 chord (E7) used in Oasis’s song.
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Musical Analysis

The first part of this progression (I – V – vi – III7) is a variation of the well-known `I – V – vi – IV` progression, replacing IV with the III7 creating a secondary dominant to the vi chord. This adds tension and interest.

The second part (IV – V – I – vi – V) is a typical pop progression. The added V after the vi provides resolution back to I.

The third part is a recapitulation of the first part, with an extended sequence leading back to IV, delaying the resolution and adding a sense of drama.

Overall Analysis

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

Style Analysis

Oasis’s sound was heavily influenced by the British Invasion bands and 1960s pop rock. The use of repeated and cyclical chord progressions, often with modulations, was a common musical device of these genres. In this song, the use of classic chord progressions with an unexpected borrowed chord creates an engaging, anthemic quality that is evocative of the British pop/rock style.

Chords in the Verse 1 section of Dont Look Back In Anger by Oasis are:

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘F’]