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“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

The Rolling Stones – Wild Horses – Verse 2

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Chord Progression

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]

Chord Progression Analysis

Verse 2 chord progression:

“`
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
B minor (iii)
G Major (I)
B minor (iii)
G Major (I)
A minor (ii)
C Major (IV)
D Major (V)
G Major (I)
D Major (V)
“`

Similar Chord Progressions

1. Oasis – “Wonderwall” : Em7, G, Dsus4, A7sus4 (ii, IV, I, V)
2. Bob Dylan – “Knockin’ on Heaven’s Door” : G, D, Am (I, V, ii)
3. The Animals – “House of the Rising Sun” : Am, C, D, F (i, III, IV, VI)

Note: These chord progressions are not necessarily in the same key, but they follow the same relative structure to the chords/modal interchange in “Wild Horses”.

Musical Analysis

The sequence starts with a couple of transition from B minor to G Major (iii-I), which is not a standard progression in the key of G Major – this implies a little bit of modal interchange, as Bm is not naturally found in G Major, but in G Lydian mode (IV of D Major). This is followed by a common ii-IV-V-I progression (Am-C-D-G), which is a hallmark of many styles of Western music. The determined progression is then repeated once more, giving the song its recognizable sound.

Overall Analysis

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

Style Analysis

“Wild Horses” exhibits a distinctive blend of folk and rock, borrowing equally from American country music and the English rock tradition. The lyrics, melody, and chord progression all contribute to the heartfelt, slightly melancholic mood of the song. The unconventional iii-I progression at the start of each sequence, taken together with the more traditional ii-IV-V-I progression that follows, creates a memorable combination that perfectly complements the song’s lyrical content.

Chords in the Verse 2 section of Wild Horses by The Rolling Stones are:

[‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘G’, ‘Bm’, ‘G’, ‘Am’, ‘C’, ‘D’, ‘G’, ‘D’]