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Related Music Theory Alchemy

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The Rolling Stones – Honky Tonk Women – Verse 2

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G Major (I)
C Major (IV)
G Major (I)
A Major (V/IV)
D Major (IV)
G Major (I)
C Major (IV)
G Major (I)
D Major (IV)
G Major (I)
“`
Note: The A Major chord in the progression is a borrowed chord from the key of D, the IV of the key of G.

Similar Chord Progressions

1. AC/DC – “You Shook Me All Night Long” uses a similar I-IV progression in the key of G: G (I), C (IV) and D (IV).
2. Lynyrd Skynyrd – “Sweet Home Alabama” uses a similar I-IV progression in the key of D: D (I), C (IV), G (V).
3. Bruce Springsteen – “Born in the USA” also uses a I-IV-V progression (though in the key of B): B (I), E (IV), F# (V).

Musical Analysis

The progression as a whole utilizes a common move in rock and roll and blues music, by alternating between the tonic, the subdominant and the dominant. This creates a sense of drive and tension that keeps the groove going. The A Major, a borrowed chord from the key of D, provides a nice ‘twist’ in the progression, adding a feeling of increased tension and leading neatly into the D Major, which then resolves back to the G Major to complete the cycle.

Overall Analysis

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Style Analysis

“Honky Tonk Women” has a bluesy rock vibe which is signature of many of The Rolling Stones’ songs. The chord progression is influenced by the standard blues progression, but with a rock twist. The track makes extensive use of power chords and is driven by a strong groove from the rhythm section (drums and bass) and the use of the dominant chords in the progression adds to the bluesy feel of the song.

Chords in the Verse 2 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]