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Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

The Rolling Stones – Dead Flowers – Pre-chorus

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Chord Progression

[‘A’, ‘D’, ‘A’, ‘D’]

Chord Progression Analysis

The pre-chorus of “Dead Flowers” goes: ‘A’, ‘D’, ‘A’, ‘D’. This would translate as the following in a diatonic key of D major:

A Major (V),
D Major (I),
A Major (V),
D Major (I)

There are no borrowed chords in this progression.

Similar Chord Progressions

An identical chord progression (V-I) is found in “Sweet Home Alabama” by Lynyrd Skynyrd with the chords D-C-G (I-bVII-IV in G Major) and “Let It Be” by The Beatles with the chords C-G-Am-F (I-V-vi-IV in C Major), both of which show a similar simple and melodic approach to songwriting.

The progression in “Dead Flowers” and “Sweet Home Alabama”:
– ‘D’, ‘C’, ‘G’
– D Major (I’),
C Major (bVII’),
G Major (IV’)

The progression in “Dead Flowers” and “Let It Be”:
– ‘C’, ‘G’, ‘Am’, ‘F’
– C Major (I’),
G Major (V’),
A minor (vi’),
F Major (IV’)

Musical Analysis

This chord progression is straightforward and falls into the convention of numerous rock and pop songs. The A acts as the dominant fifth, which resolves to the tonic D providing the typical tension and resolution characteristic of so much popular music. This is an example of a basic V-I chord progression.

Overall Analysis

The song “Dead Flowers” by The Rolling Stones is a classic rock tune that is characterized by its simple yet effective chord progressions. The key of this song is D Major. This song utilizes mostly major chords (D, A, and G), and it has a strong emphasis on the I-IV-V chord progression, a staple in many rock, blues, and pop music.

Style Analysis

“Dead Flowers” falls into the genre of Rock and has heavy country influences. The use of a simple and repeated chord progression is a key feature in both rock and country music. The chord progression of ‘A’, ‘D’, ‘A’, ‘D’ is simple and easy to follow, making the song catchy and memorable, typical characteristics of the Rolling Stones’ style.

Chords in the Pre-chorus section of Dead Flowers by The Rolling Stones are:

[‘A’, ‘D’, ‘A’, ‘D’]