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The song “Closer” by Nine Inch Nails is a dark and provocative piece built upon a relentless, driving chord progression and sinuous melodies. The downbeat feel and chromaticism contribute to the brooding, unsettling mood of the song, which is a hallmark of the industrial rock genre. The piece is in the key of B minor.

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

Nine Inch Nails – Closer – Verse 2

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Chord Progression

[‘Cm7’, ‘Cm7’, ‘Cm7’, ‘Cm7’]

Chord Progression Analysis

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The chord progression for Verse 2 is:
– Cm7 (‘i7)
– Cm7 (‘i7)
– Cm7 (‘i7)
– Cm7 (‘i7)

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No borrowed chords are present in this progression.
“`

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Similar Chord Progressions

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One song with a somewhat similar chord progression is “Rock + Roll” by EDEN. This song also uses a constant, singular chord through the verse, creating a similar atmospheric quality, though it operates in a major key. The verse chord progression is:
– D (‘I)
– D (‘I)
– D (‘I)
– D (‘I)

Another equivalent progression occurs in The Beatles’ song “I Want You (She’s So Heavy)”, which also settles on a single repeated chord (Am) in the primary verse section. This is another example of how a monotonous chord progression can generate a hypnotic, immersive soundscape. The verse chord progression here is:
– Am (‘i)
– Am (‘i)
– Am (‘i)
– Am (‘i)

Musical Analysis

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The Cm7 (‘i7) chord is the tonic of the C minor key. It serves as the home base and provides a sense of resolution to the musical tension. The repetitive usage of the same chord gives the track a hypnotic, drone-like quality, creating an introspective and somber atmosphere. This monotonous progression underlines the lyrics and vocal melody, contributing to the emotional intensity of the song.

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Overall Analysis

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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Style Analysis

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Nine Inch Nails, known for their industrial rock style, often employ simplistic chord progressions to emphasize their complex rhythmic instrumentation and introspective, often dark, lyrics. The repetition of the Cm7 chord in “Closer” is representative of this approach, as it helps to maintain the gloomy and introspective atmosphere throughout the song.

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Chords in the Verse 2 section of Closer by Nine Inch Nails are:

[‘Cm7’, ‘Cm7’, ‘Cm7’, ‘Cm7’]