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Related Music Theory Alchemy

The song “Hurt” by Nine Inch Nails has a tonal center around the key of B minor, as it is the most prominently featured chord in both the verse and chorus sections. The verse features a simple three-chord progression (Bm-D-E), and the chorus introduces additional chords (G, A). The outro mainly repeats the chords from the verse. The style of the piece can be characterized as haunting, melancholic, and somewhat minimalistic with only a few chords creating the harmonic landscape.

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

Nine Inch Nails – Hurt – Outro

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Chord Progression

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]

Chord Progression Analysis

The outro of this piece follows a three-chord progression for the most part, with a repetition of the sequence D, E, Bm. This would be an IV-v-i progression in the key of B Minor. Translates to:
“`bash
D Major (‘IV’)
E Major (‘v’)
B Minor (‘i’)
“`
For reference, the v chord is actually a borrowed chord from the parallel major key of B Major, as the natural state in a minor key would have been E minor.

Similar Chord Progressions

Many songs utilize similar chord progressions. The IV-v-i progression finds a close relative in the IV-V-I progression, synonymous with songs like “Let it Be” by the Beatles. The difference lies in the final chord being major instead of minor. Another song demonstrating a chromatic mediants relationship similar to D, E, Bm would be “Creep” by Radiohead.

“Let it Be” by The Beatles:
“`bash
C Major (IV)
G Major (V)
F Major (I)
“`
“Creep” by Radiohead:
“`bash
G Major (‘I’)
B Major (‘III’)
C Major (‘IV’)
C Minor (‘iv’)
“`

This IV-v-i progression used in “Hurt” is fairly unique in the sense that it uses the major V instead of the expected minor v in a minor key. The borrowed chord combined with the melancholic B minor allows Nine Inch Nails to craft a hauntingly beautiful soundscape, characteristic of their music.

Musical Analysis

The D major and E major chords lend a sense of uplifting resolve since both chords are principals in the parent scale of B minor. This, coupled with the heavy use of B minor creates a deep, melancholic mood that is typical for Nine Inch Nails and their dark alternative brand of rock music. The progression doesn’t leave the tonic B Minor too far behind, giving the song a somber atmosphere.

Overall Analysis

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

Style Analysis

“Hurt” encapsulates the industrial rock style of Nine Inch Nails, which combines elements of rock with electronic music. The simple, repetitive chord progression gives room for the haunting lyrics and intense, emotional vocals. The use of the borrowed chord helps create an unexpected shift in the tonality, adding to the unsettling nature of the music.

Chords in the Outro section of Hurt by Nine Inch Nails are:

[‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’, ‘Bm’, ‘D’, ‘E’]