Music Theory Alchemy

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Related Music Theory Alchemy

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

Led Zeppelin – Kashmir – Mid-section

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Chord Progression

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D

Chord Progression Analysis

“`
G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), G major (I), A major (bII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII), A major (bII), A# major (bIII), B major (IV), C major (V), D major (bVII)
“`

Similar Chord Progressions

1. “Helter Skelter” by The Beatles:
“`
E7#9 (I), A7 (IV), E7#9 (I), A7 (IV), E7#9 (I), A7 (IV)
“`

2. “Gimme Shelter” by The Rolling Stones:
“`
C# minor (i), B major (VII), A major (VI)
“`

3. “Time” by Pink Floyd
“`
F# minor (i), F major (bII), F# minor (i), E minor (vii), F# minor (i), F major (bII), F# minor (i), E major (V)
“`

Although the above examples may not feature the exact chord progression as “Kashmir,” they demonstrate the use of modal harmony and similar techniques used by Led Zeppelin, resulting in a similar sound or feeling.

Musical Analysis

The G and A alternation creates an exotic or modal sound, as well as tension and anticipation. Climbing the chromatically ascending chords (A, A#, B, C, D) adds dramatic effect, and the resolution back to the A major chord provides a sense of closure before repeating the mid-section or moving on to other sections.

Overall Analysis

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

Style Analysis

In “Kashmir” by Led Zeppelin, the frequent use of modal mixtures – particularly borrowing from the Phrygian mode – gives the song a distinctive and unique sound. The style can be characterized as Eastern-influenced rock, with elements of progressive rock and hard rock. The power of the chords and the driving rhythm contribute to the song’s overall epic and grandiose nature.

Chords in the Mid-section section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, A, A#, B, C, D, A, A#, B, C, D