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This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Weezer’s “Island in the Sun” features a memorable and catchy chord progression, with a mix of major and minor chords that creates an overall uplifting and pleasant atmosphere. The song is in the key of G Major and employs a simple and repetitive progression, characteristic of pop and rock music. Although the chord progression is fairly common, the rhythmic pattern and melodic line make the song stand out among other pop and rock tunes.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

Radiohead – You And Whose Army – Verse

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Chord Progression

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m

Chord Progression Analysis

D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), D#m (bII), G# (V), C#m (i), F# (IV), Bm (v), E (III), A (VI), C#m (i), E (III), A (VI), C#m (i)

Borrowed Chord:

“`
D#m (bII)
“`

Similar Chord Progressions

1. “Exit Music (For a Film)” by Radiohead
Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i), G (VI), Em (iv), C#dim (iio), F# (V), Bm (i)

2. “Something” by The Beatles
C (I), Cmaj7 (IM7), C7 (I7), F (IV), D (V), G (V), Am (vi), Am7/G (vi7/VI), Cmaj7 (IM7), G (V)

Both of these examples, while not identical to “You And Whose Army,” exhibit some elements present in the song, such as unusual chord relationships and borrowed chords.

Musical Analysis

The recurring use of the borrowed chord D#m (bII) creates an element of surprise and tension while still providing a sense of resolution as it progresses to the G# (V) chord. This tension-release relationship is further emphasized by the movement between the F# (IV) and Bm (v) chords. The progression also includes a common chord progression, the VI-III-i progression (A-C#m-E), which adds an emotional and somewhat nostalgic quality to the piece.

Overall Analysis

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

Style Analysis

Radiohead is known for their innovative and experimental approach to songwriting, often blending elements from various genres and styles. The chord progression in “You And Whose Army” embodies this approach by using borrowed chords, uncommon chord relationships, and multiple key centers. This technique can be found in various songs throughout their discography, as they consistently push the boundaries of conventional music theory to create a unique and evocative sound.

Chords in the Verse section of You And Whose Army by Radiohead are:

D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, D#m, G#, C#m, F#, Bm, E, A, C#m, E, A, C#m