“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.
The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.
“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.
“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.
The chord progression in the chorus of George Benson’s “Give Me The Night” is an example of a smooth and groovy R&B progression from the early 1980s. It has a mix of minor chords, a major chord, and a major 7th chord, creating a soulful and slightly melancholic character. The progressions use diatonic chords from the F minor scale, with a hint of modal interchange.
“Strawberry Fields Forever” by The Beatles is a song that displays the remarkable depth of harmonic creativity found in their songwriting. The chord progression in the Chorus 4 section of the song is particularly complex. This progressions illustrate the band’s ability to exploit common harmonic devices such as diatonic pivots, modal mixture, and deceptive resolutions, in order to produce beautifully unique and captivating chord sequences.
“Here Comes The Sun” by The Beatles, composed by George Harrison, features a complex and stylistically unique chord progression. The song is primarily in the key of D major, with elements of modal interchange (also known as borrowed chords) from both the parallel minor key (D minor) and other modes, including the Mixolydian mode.
The chord progression in the chorus of George Benson’s “Give Me The Night” is an example of a smooth and groovy R&B progression from the early 1980s. It has a mix of minor chords, a major chord, and a major 7th chord, creating a soulful and slightly melancholic character. The progressions use diatonic chords from the F minor scale, with a hint of modal interchange.
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