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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

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“Closer” by Nine Inch Nails utilizes a relatively simple chord structure, which allows the song to establish a pervasive atmosphere and direct the listener’s focus on the lyrics and melodies. This piece is in the key of C minor, and the chord progression is cyclical in nature, with Verse 2 consisting of the repetition of Cm7 chord throughout.

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“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

Weezer – Undone The Sweater Song – Verse 2

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

Borrowed chord:
`G6#9`

Similar Chord Progressions

1. Oasis – “Wonderwall”
Gmaj7 (I), Dsus4 (V), Em7 (vi), Cadd9 (IV), Gmaj7 (I), Dsus4 (V), Cadd9 (IV)

2. Radiohead – “Creep”
Gmaj (I), B (III), C (IV), Cm (iv)

3. Nirvana – “Smells Like Teen Spirit”
F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI), F5 (I), Bb5 (IV), Ab5 (bIII), C5 (V)

While none of these songs have the exact same chord progression as “Undone – The Sweater Song,” each has a similar blending of pop and rock elements with the use of familiar diatonic chords, combined with borrowed or added chords which enhance the overall sound and make the chord progression more distinctive.

Musical Analysis

The verse 2 chord progression centers around the I-IV-V chords (G, C, and D) which are typically used in common major key progressions. However, the G6#9 chord introduces a surprising element to the progression by using a borrowed chord from the G Mixolydian mode. The #9 adds tension and creates a sense of expectation as it resolves to the IV chord, while the added 6th degree (E) in the G6#9 chord provides a smooth melodic connection to the C chord.

Overall Analysis

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Style Analysis

The style of the chord progression in Verse 2 represents a fusion of pop and grunge rock sensibilities. The use of diatonic chords (G, C, and D) showcases the tendency of pop music to adhere to the major scale, while the borrowed G6#9 chord highlights the grunge rock influence that seeks to explore non-diatonic or dissonant harmonies. This combination creates a unique sound that defines Weezer’s signature style, blending the familiar and the unexpected.

Chords in the Verse 2 section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C