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The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Weezer – Undone The Sweater Song – Verse 2

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

G6#9 (I), C (IV), D (V), C (IV), G6#9 (I), C (IV), D (V), C (IV)

Borrowed chord:
`G6#9`

Similar Chord Progressions

1. Oasis – “Wonderwall”
Gmaj7 (I), Dsus4 (V), Em7 (vi), Cadd9 (IV), Gmaj7 (I), Dsus4 (V), Cadd9 (IV)

2. Radiohead – “Creep”
Gmaj (I), B (III), C (IV), Cm (iv)

3. Nirvana – “Smells Like Teen Spirit”
F5 (I), Bb5 (IV), Ab5 (bIII), Db5 (bVI), F5 (I), Bb5 (IV), Ab5 (bIII), C5 (V)

While none of these songs have the exact same chord progression as “Undone – The Sweater Song,” each has a similar blending of pop and rock elements with the use of familiar diatonic chords, combined with borrowed or added chords which enhance the overall sound and make the chord progression more distinctive.

Musical Analysis

The verse 2 chord progression centers around the I-IV-V chords (G, C, and D) which are typically used in common major key progressions. However, the G6#9 chord introduces a surprising element to the progression by using a borrowed chord from the G Mixolydian mode. The #9 adds tension and creates a sense of expectation as it resolves to the IV chord, while the added 6th degree (E) in the G6#9 chord provides a smooth melodic connection to the C chord.

Overall Analysis

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Style Analysis

The style of the chord progression in Verse 2 represents a fusion of pop and grunge rock sensibilities. The use of diatonic chords (G, C, and D) showcases the tendency of pop music to adhere to the major scale, while the borrowed G6#9 chord highlights the grunge rock influence that seeks to explore non-diatonic or dissonant harmonies. This combination creates a unique sound that defines Weezer’s signature style, blending the familiar and the unexpected.

Chords in the Verse 2 section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C