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The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“Within You Without You” from The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, composed by George Harrison, is a unique song in the Beatles’ discography. Musically, it truly merges the essence of Indian classical music with traditional Western music techniques. The chord progression is minimal and largely stays around the key of C major, which enhances the song’s drone-like effect, typical in traditional Indian music.

Weezer – Undone The Sweater Song – Intro

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

| G6#9 (I6#9) | C (IV) | D (V) | C (IV) |

Please note that G6#9 is a borrowed chord where the 9th note is not from the G Major scale.

Similar Chord Progressions

1. “Creep” by Radiohead:
| G (I) | B (III) | C (IV) | Cm (iv) |

2. “All the Small Things” by Blink-182:
| C (I) | G (V) | F (IV) | G (V) |

3. “Buddy Holly” by Weezer:
| F (I) | G (II) | A# (IV) | C (V) |

While these chord progressions by other artists are not exactly the same as the one in “Undone – The Sweater Song,” they share similarities in terms of simplicity and the fusion of pop, punk, and alternative rock elements. The use of non-diatonic chords or borrowed chords in some of these progressions is also a notable characteristic.

Musical Analysis

The intro starts with the G6#9 chord, which creates a sense of ambiguity as it features both a major and minor 6th. The two following chords, C and D, are traditional diatonic chords that offer a more grounded and familiar sound. The alternation between the C and D chords gives a sense of push and pull, contributing to the overall energy of the piece. The consistent repetition of the progression throughout the intro adds to its catchiness and memorability.

Overall Analysis

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

Style Analysis

“Weezer” is known for incorporating elements of pop, punk, and alternative rock into their music, and the chord progression in “Undone – The Sweater Song” is a good example of their unique style. The G6#9 chord provides a certain level of dissonance and tension, which is often associated with alternative rock. Furthermore, the simplicity of the progression and the use of power chords are reminiscent of punk music, while the catchy melody has a pop-influenced quality.

Chords in the Intro section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C