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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

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“Sorry Seems To Be The Hardest Word” is a song by Elton John written in the key of G major. However, the tonal center of this song fluctuates between G major and its relative minor, Em. Sensitive to the modality of the melody, Elton incorporates “color” via his diverse chord selections. The harmonic movement in this song is richly chromatic, creating a sense of tension and release that intensifies the melancholic aura of the lyrics.

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Weezer – Undone The Sweater Song – Intro

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Chord Progression

G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C

Chord Progression Analysis

| G6#9 (I6#9) | C (IV) | D (V) | C (IV) |

Please note that G6#9 is a borrowed chord where the 9th note is not from the G Major scale.

Similar Chord Progressions

1. “Creep” by Radiohead:
| G (I) | B (III) | C (IV) | Cm (iv) |

2. “All the Small Things” by Blink-182:
| C (I) | G (V) | F (IV) | G (V) |

3. “Buddy Holly” by Weezer:
| F (I) | G (II) | A# (IV) | C (V) |

While these chord progressions by other artists are not exactly the same as the one in “Undone – The Sweater Song,” they share similarities in terms of simplicity and the fusion of pop, punk, and alternative rock elements. The use of non-diatonic chords or borrowed chords in some of these progressions is also a notable characteristic.

Musical Analysis

The intro starts with the G6#9 chord, which creates a sense of ambiguity as it features both a major and minor 6th. The two following chords, C and D, are traditional diatonic chords that offer a more grounded and familiar sound. The alternation between the C and D chords gives a sense of push and pull, contributing to the overall energy of the piece. The consistent repetition of the progression throughout the intro adds to its catchiness and memorability.

Overall Analysis

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

Style Analysis

“Weezer” is known for incorporating elements of pop, punk, and alternative rock into their music, and the chord progression in “Undone – The Sweater Song” is a good example of their unique style. The G6#9 chord provides a certain level of dissonance and tension, which is often associated with alternative rock. Furthermore, the simplicity of the progression and the use of power chords are reminiscent of punk music, while the catchy melody has a pop-influenced quality.

Chords in the Intro section of Undone The Sweater Song by Weezer are:

G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C, G6#9, C, D, C