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Related Music Theory Alchemy

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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“Weezer’s “Island in the Sun” features a memorable and catchy chord progression, with a mix of major and minor chords that creates an overall uplifting and pleasant atmosphere. The song is in the key of G Major and employs a simple and repetitive progression, characteristic of pop and rock music. Although the chord progression is fairly common, the rhythmic pattern and melodic line make the song stand out among other pop and rock tunes.

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

Weezer – Say It Aint So – Interlude

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Chord Progression

Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi), E (V/vi), F (IV), C (I), Am (vi), E (V/vi), F (IV), C (I)

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”
Am (vi), E (V/vi), G (V/v), C (I), F (IV), B♭ (♭VII), Am (vi), E (V/vi)

2. Radiohead – “Creep”
C (I), E (V/vi), F (IV), Fm (iv)

3. Oasis – “Wonderwall”
C (I), E (V/vi), Am7 (vi7), G (V)

In these examples, similar elements of unconventional chord progressions, borrowed chords, and chromaticism can also be seen, which reflect the alternative rock styles represented by each of these artists.

Musical Analysis

The interlude starts with the vi chord (Am), which is the relative minor of the tonic (C major). This creates a moody atmosphere before resolving to the V/vi chord (E major). This E major is a borrowed chord from the C# minor scale, and it serves to create a sense of tension that resolves to the IV chord (F major). Finally, the progression resolves back to the I chord (C major), completing the loop. This cycle repeats once more to conclude the interlude.

Overall Analysis

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Style Analysis

The usage of borrowed chords is emblematic of Weezer’s alternative rock style, which often features unconventional chord progressions and harmonic choices. This particular interlude showcases a departure from the more traditional diatonic progressions of the time, instead, opting for a more chromatic approach to harmony. Notably, the use of a major V chord (E major) in a minor context adds to the emotional complexity and contributes to the unique character of the song.

Chords in the Interlude section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C