Music Theory Alchemy

Search

Related Music Theory Alchemy

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

“`
Borrowed chord: E major (V/vi)
“`

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

Weezer – Say It Aint So – Interlude

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi), E (V/vi), F (IV), C (I), Am (vi), E (V/vi), F (IV), C (I)

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”
Am (vi), E (V/vi), G (V/v), C (I), F (IV), B♭ (♭VII), Am (vi), E (V/vi)

2. Radiohead – “Creep”
C (I), E (V/vi), F (IV), Fm (iv)

3. Oasis – “Wonderwall”
C (I), E (V/vi), Am7 (vi7), G (V)

In these examples, similar elements of unconventional chord progressions, borrowed chords, and chromaticism can also be seen, which reflect the alternative rock styles represented by each of these artists.

Musical Analysis

The interlude starts with the vi chord (Am), which is the relative minor of the tonic (C major). This creates a moody atmosphere before resolving to the V/vi chord (E major). This E major is a borrowed chord from the C# minor scale, and it serves to create a sense of tension that resolves to the IV chord (F major). Finally, the progression resolves back to the I chord (C major), completing the loop. This cycle repeats once more to conclude the interlude.

Overall Analysis

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Style Analysis

The usage of borrowed chords is emblematic of Weezer’s alternative rock style, which often features unconventional chord progressions and harmonic choices. This particular interlude showcases a departure from the more traditional diatonic progressions of the time, instead, opting for a more chromatic approach to harmony. Notably, the use of a major V chord (E major) in a minor context adds to the emotional complexity and contributes to the unique character of the song.

Chords in the Interlude section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C