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Related Music Theory Alchemy

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

“Island in the Sun” by Weezer is a popular song that features a simple and catchy chord progression. The intro progression creates a pleasant and comforting atmosphere, and it sets up the laid-back, summer vibe of the song. The chords are primarily diatonic to the key of G major, except for the borrowed chord from the parallel minor. The progression is quite common in pop and rock music, and it shares similarities with other famous songs.

The song “Gravity” by A Perfect Circle is principally in the key signature of C# minor, which is categorically a minor scale. The primary chords used throughout the song are C#m, F#, and G#m, with the addition of E occasionally. The overall chord progression is quite consistent, with alternative lose touch of the conventional nature of chord progressions in pop and rock music.

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

Weezer – Say It Aint So – Interlude

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Chord Progression

Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi), E (V/vi), F (IV), C (I), Am (vi), E (V/vi), F (IV), C (I)

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”
Am (vi), E (V/vi), G (V/v), C (I), F (IV), B♭ (♭VII), Am (vi), E (V/vi)

2. Radiohead – “Creep”
C (I), E (V/vi), F (IV), Fm (iv)

3. Oasis – “Wonderwall”
C (I), E (V/vi), Am7 (vi7), G (V)

In these examples, similar elements of unconventional chord progressions, borrowed chords, and chromaticism can also be seen, which reflect the alternative rock styles represented by each of these artists.

Musical Analysis

The interlude starts with the vi chord (Am), which is the relative minor of the tonic (C major). This creates a moody atmosphere before resolving to the V/vi chord (E major). This E major is a borrowed chord from the C# minor scale, and it serves to create a sense of tension that resolves to the IV chord (F major). Finally, the progression resolves back to the I chord (C major), completing the loop. This cycle repeats once more to conclude the interlude.

Overall Analysis

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Style Analysis

The usage of borrowed chords is emblematic of Weezer’s alternative rock style, which often features unconventional chord progressions and harmonic choices. This particular interlude showcases a departure from the more traditional diatonic progressions of the time, instead, opting for a more chromatic approach to harmony. Notably, the use of a major V chord (E major) in a minor context adds to the emotional complexity and contributes to the unique character of the song.

Chords in the Interlude section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C