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Related Music Theory Alchemy

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The given chord progression of Weezer’s “California Kids” features a verse in the key of C major. The progression primarily uses diatonic chords, with a more unconventional movement that features the use of a C/B chord, or I chord with the bass note played in the seventh degree (leads to tonicization of the vi chord). The progression also features a common IV-V movement that is a characteristic of pop and rock music.

The song “Gravity” by A Perfect Circle is principally in the key signature of C# minor, which is categorically a minor scale. The primary chords used throughout the song are C#m, F#, and G#m, with the addition of E occasionally. The overall chord progression is quite consistent, with alternative lose touch of the conventional nature of chord progressions in pop and rock music.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

Weezer – Say It Aint So – Interlude

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Chord Progression

Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi), E (V/vi), F (IV), C (I), Am (vi), E (V/vi), F (IV), C (I)

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”
Am (vi), E (V/vi), G (V/v), C (I), F (IV), B♭ (♭VII), Am (vi), E (V/vi)

2. Radiohead – “Creep”
C (I), E (V/vi), F (IV), Fm (iv)

3. Oasis – “Wonderwall”
C (I), E (V/vi), Am7 (vi7), G (V)

In these examples, similar elements of unconventional chord progressions, borrowed chords, and chromaticism can also be seen, which reflect the alternative rock styles represented by each of these artists.

Musical Analysis

The interlude starts with the vi chord (Am), which is the relative minor of the tonic (C major). This creates a moody atmosphere before resolving to the V/vi chord (E major). This E major is a borrowed chord from the C# minor scale, and it serves to create a sense of tension that resolves to the IV chord (F major). Finally, the progression resolves back to the I chord (C major), completing the loop. This cycle repeats once more to conclude the interlude.

Overall Analysis

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Style Analysis

The usage of borrowed chords is emblematic of Weezer’s alternative rock style, which often features unconventional chord progressions and harmonic choices. This particular interlude showcases a departure from the more traditional diatonic progressions of the time, instead, opting for a more chromatic approach to harmony. Notably, the use of a major V chord (E major) in a minor context adds to the emotional complexity and contributes to the unique character of the song.

Chords in the Interlude section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C