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The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“Sometimes It Snows In April” is commonly recognised as a hauntingly beautiful ballad that features gentle, intricate piano work and tender vocals. Musically, it explores a slightly complex harmonic structure that creates a profound emotive sound spectrum.

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

Weezer – My Name Is Jonas – Intro

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Chord Progression

C, G6/B, Am, G6/B

Chord Progression Analysis

C (I) – G6/B (V6) – Am (vi) – G6/B (V6)

“`C: I – V6 – vi – V6“`

Similar Chord Progressions

1. “Let It Be” by The Beatles
C (I) – G (V) – Am (vi) – F (IV)

“`C: I – V – vi – IV“`

2. “No Woman, No Cry” by Bob Marley
C (I) – G (V) – Am (vi) – F (IV) – C (I) – G (V) – F (IV) – C (I)

“`C: I – V – vi – IV – I – V – IV – I“`

3. “Don’t Stop Believin’” by Journey
E (I) – B (V) – C#m (vi) – A (IV)

“`E: I – V – vi – IV“`

These examples feature the common I-V-vi-IV progression, which is a staple in pop and rock music. While not an exact match to “My Name Is Jonas,” these songs showcase similar harmonic movement and an emphasis on memorable and catchy chord changes.

Musical Analysis

The progression is rooted in traditional harmony, utilizing both the primary chords (I, IV, and V) and a secondary chord (vi) that is common in pop and rock music. The use of the G6 chord adds a touch of color to the harmony, giving it a slightly different feel compared to a standard G major triad. The G6 chord is created by adding the 6th scale degree (E) to the G major triad (G, B, and D). The first inversions of the G6 chord give it a smoother, more connected sound within the progression.

Overall Analysis

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

Style Analysis

Being a 90s alternative rock band, Weezer often incorporated catchy hooks and memorable chord progressions in their songs to accompany their distinctive sound. The intro chord progression for “My Name Is Jonas” is a great example of this, as it conveys a strong sense of melody and harmony while displaying their unique style. The progression is typical of the genre, with straightforward chord changes grounded in the key of C major.

Chords in the Intro section of My Name Is Jonas by Weezer are:

C, G6/B, Am, G6/B