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“My Name Is Jonas” by Weezer is a 90s alternative rock song featuring a catchy chord progression and memorable melodies. The verse 2 chord progression consists of a repeated set of chords: C, G, Am, F. This progression is common in popular music and creates a sense of familiarity for the listener. The key is C Major.

C Major (I)

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C Major – This chord functions as the tonic chord (I) in the key of C Major.
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“This Masquerade” by George Benson is a jazz/R&B fusion piece with a smooth and laid-back feel. It features a slightly chromatic and sophisticated chord progression, complete with altered extensions and slash chords, resulting in a rich harmonic texture that is both soulful and intricate. The progression has some similarities to other jazz and R&B chord progressions used by artists such as Stevie Wonder, Donald Fagen (of Steely Dan), and Antonio Carlos Jobim.

“Within You Without You” from The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, composed by George Harrison, is a unique song in the Beatles’ discography. Musically, it truly merges the essence of Indian classical music with traditional Western music techniques. The chord progression is minimal and largely stays around the key of C major, which enhances the song’s drone-like effect, typical in traditional Indian music.

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

Weezer – My Name Is Jonas – Intro

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Chord Progression

C, G6/B, Am, G6/B

Chord Progression Analysis

C (I) – G6/B (V6) – Am (vi) – G6/B (V6)

“`C: I – V6 – vi – V6“`

Similar Chord Progressions

1. “Let It Be” by The Beatles
C (I) – G (V) – Am (vi) – F (IV)

“`C: I – V – vi – IV“`

2. “No Woman, No Cry” by Bob Marley
C (I) – G (V) – Am (vi) – F (IV) – C (I) – G (V) – F (IV) – C (I)

“`C: I – V – vi – IV – I – V – IV – I“`

3. “Don’t Stop Believin’” by Journey
E (I) – B (V) – C#m (vi) – A (IV)

“`E: I – V – vi – IV“`

These examples feature the common I-V-vi-IV progression, which is a staple in pop and rock music. While not an exact match to “My Name Is Jonas,” these songs showcase similar harmonic movement and an emphasis on memorable and catchy chord changes.

Musical Analysis

The progression is rooted in traditional harmony, utilizing both the primary chords (I, IV, and V) and a secondary chord (vi) that is common in pop and rock music. The use of the G6 chord adds a touch of color to the harmony, giving it a slightly different feel compared to a standard G major triad. The G6 chord is created by adding the 6th scale degree (E) to the G major triad (G, B, and D). The first inversions of the G6 chord give it a smoother, more connected sound within the progression.

Overall Analysis

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

Style Analysis

Being a 90s alternative rock band, Weezer often incorporated catchy hooks and memorable chord progressions in their songs to accompany their distinctive sound. The intro chord progression for “My Name Is Jonas” is a great example of this, as it conveys a strong sense of melody and harmony while displaying their unique style. The progression is typical of the genre, with straightforward chord changes grounded in the key of C major.

Chords in the Intro section of My Name Is Jonas by Weezer are:

C, G6/B, Am, G6/B