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Related Music Theory Alchemy

The intro of “My Name Is Jonas” by Weezer is a simple, yet effective chord progression in the key of C major. The progression starts on the tonic, moves to a first inversion of a G6 chord, followed by an A minor chord, and finally back to the first inversion of the G6 chord. The progression has a circular nature, which adds to the song’s catchiness and memorability.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

The “Like Clockwork” track by Queens of the Stone Age showcases a wide range of harmonic complexity. The track is in the key of F# minor and it is characterized by non-traditional chord progressions. From the range of chords used within the song, it’s clear that the song deviates from strict diatonic harmony, and freely borrows chords from parallel keys (modal mixture).

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Given by the chords you’ve provided, it appears the song “Today” by The Smashing Pumpkins is primarily in the key of D Major with occasional borrowed chords from D minor and E minor. The varying uses of D Major, D minor, and E minor really showcase the variety in Billy Corgan’s guitar writing.

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The Beatles’ “Strawberry Fields Forever” is composed in the key of A Major, but utilizes a number of chord extensions and non-diatonic chords to create a dreamy, nostalgic soundscape fitting the song’s theme of reminiscing about childhood.

Weezer – My Name Is Jonas – Chorus 2

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Chord Progression

C, Am, G, C, Am, G, C, Am, G, C, Am, G

Chord Progression Analysis

C Major (‘I’), A minor (‘vi’), G Major (‘V’)
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C Major (I) – A minor (vi) – G Major (V) – C Major (I) – A minor (vi) – G Major (V) – C Major (I) – A minor (vi) – G Major (V) – C Major (I) – A minor (vi) – G Major (V)
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Similar Chord Progressions

1. Green Day – “When I Come Around”:
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G Major (I) – D major (V) – E minor (vi) – C Major (IV)
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2. Oasis – “Wonderwall”:
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C Major (I) – E minor (vi) – G Major (V) – D Major (IV)
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3. The Cranberries – “Zombie”:
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E minor (i) – C Major (III) – G Major (VI) – D Major (VII)
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4. Red Hot Chili Peppers – “Under the Bridge”:
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D Major (IV) – A Major (I) – B minor (ii) – G Major (V)
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Although these songs have different variations, the underlying theme of using simple major and minor chords to create memorable and emotionally rich progressions remains the same.

Musical Analysis

The chord progression in the chorus of “My Name Is Jonas” follows a simple I-vi-V pattern, with the C Major chord providing a solid tonal center. The movement from the C Major chord to the A minor chord introduces some drama and a touch of melancholy, emphasizing the emotional lyrics of the song. Finally, the G Major chord offers a sense of resolution and forms a strong cadence back to the C Major chord. This progression gives the song an overall feel of stability and provides the listener with a memorable and easily digestible hook.

Overall Analysis

“My Name Is Jonas” by Weezer is a 90’s alternative rock song that features a catchy and memorable chord progression during its chorus. The harmony is simple and combines both major and minor chords, giving it a balanced and well-rounded sound. It is worth noting that this progression is fairly common in popular music, particularly in rock and indie genres.

Style Analysis

This type of chord progression is characteristic of 90’s alternative rock music and often found in indie genres as well. The simplicity and accessible nature of this progression make it a popular choice for songwriters in these genres. Though it’s a commonly used progression, Weezer manages to make it their own by combining it with distinctive guitar riffs, expressive melodies, and evocative lyrics.

Chords in the Chorus 2 section of My Name Is Jonas by Weezer are:

C, Am, G, C, Am, G, C, Am, G, C, Am, G