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Related Music Theory Alchemy

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Tyler, The Creator – Earfquake – Verse 2

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII), D7 (V7/III), Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII)

Borrowed Chord: `A minor 7 (ii/bIII)`

Similar Chord Progressions

1. Logic – “Man I Is”
Chord Progression: Ebmaj7 (I), Dm7 (VIm7), Gm7 (ii), C7 (V), Fm7 (vi), Bb7 (V/IV), Am7 (ii/bIII), Abmaj7 (IV)
`Borrowed Chord: Am7 (ii/bIII)`

2. D’Angelo – “Really Love”
Chord Progression: Bbmaj7 (I), Em7 (ii/bV), Am7 (ii/bIII), Gm7 (vi), Em7 (ii/bV), A7 (V/bIII), Dm7 (iii)
`Borrowed Chords: Em7 (ii/bV) and A7 (V/bIII)`

These songs, like “Earfquake,” feature a mix of diatonic and borrowed chords in their progressions, resulting in a similar fusion of styles and nuanced musicality.

Musical Analysis

Tyler, The Creator employs a dynamic chord progression that starts with the tonic, Bbmaj7, before moving to the borrowed Am7. This moves the progression momentarily to the G minor mode. The switch between the relative major and minor keys creates a unique melodic tension. The chords also progress through the circle of fifths with Gm7, Am7, and D7, which adds to the jazz-like style of the piece. This progression resolves back to the tonic, Bbmaj7, before repeating.

Overall Analysis

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Style Analysis

“Earfquake” showcases Tyler, The Creator’s distinct sonic signature which blends elements of hip-hop, R&B, jazz, and pop. The chord progression’s use of borrowed chords and smooth seventh chords adds a touch of sophistication, reminiscent of jazz and neo-soul music. This further emphasizes the emotional depth and complexity in Tyler’s music.

Chords in the Verse 2 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7