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Tyler, The Creator

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

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Tyler, The Creator

The piece “See You Again,” written by Tyler, The Creator, features a harmonically rich and somewhat unexpected chord progression. It steps away from traditional diatonic harmony, and instead experiments with the use of borrowed chords, particularly through the incorporation of the F#(b5) chord. This results in a unique and distinctive sound to the piece, as it mixes a sense of tension and resolution through the progression.

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Nine Inch Nails

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

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Weezer

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

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Jimi Hendrix

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

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Tyler, The Creator – Earfquake – Verse 2

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII), D7 (V7/III), Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII)

Borrowed Chord: `A minor 7 (ii/bIII)`

Similar Chord Progressions

1. Logic – “Man I Is”
Chord Progression: Ebmaj7 (I), Dm7 (VIm7), Gm7 (ii), C7 (V), Fm7 (vi), Bb7 (V/IV), Am7 (ii/bIII), Abmaj7 (IV)
`Borrowed Chord: Am7 (ii/bIII)`

2. D’Angelo – “Really Love”
Chord Progression: Bbmaj7 (I), Em7 (ii/bV), Am7 (ii/bIII), Gm7 (vi), Em7 (ii/bV), A7 (V/bIII), Dm7 (iii)
`Borrowed Chords: Em7 (ii/bV) and A7 (V/bIII)`

These songs, like “Earfquake,” feature a mix of diatonic and borrowed chords in their progressions, resulting in a similar fusion of styles and nuanced musicality.

Musical Analysis

Tyler, The Creator employs a dynamic chord progression that starts with the tonic, Bbmaj7, before moving to the borrowed Am7. This moves the progression momentarily to the G minor mode. The switch between the relative major and minor keys creates a unique melodic tension. The chords also progress through the circle of fifths with Gm7, Am7, and D7, which adds to the jazz-like style of the piece. This progression resolves back to the tonic, Bbmaj7, before repeating.

Overall Analysis

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Style Analysis

“Earfquake” showcases Tyler, The Creator’s distinct sonic signature which blends elements of hip-hop, R&B, jazz, and pop. The chord progression’s use of borrowed chords and smooth seventh chords adds a touch of sophistication, reminiscent of jazz and neo-soul music. This further emphasizes the emotional depth and complexity in Tyler’s music.

Chords in the Verse 2 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

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