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Related Music Theory Alchemy

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

Tyler, The Creator – Earfquake – Verse 2

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII), D7 (V7/III), Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII)

Borrowed Chord: `A minor 7 (ii/bIII)`

Similar Chord Progressions

1. Logic – “Man I Is”
Chord Progression: Ebmaj7 (I), Dm7 (VIm7), Gm7 (ii), C7 (V), Fm7 (vi), Bb7 (V/IV), Am7 (ii/bIII), Abmaj7 (IV)
`Borrowed Chord: Am7 (ii/bIII)`

2. D’Angelo – “Really Love”
Chord Progression: Bbmaj7 (I), Em7 (ii/bV), Am7 (ii/bIII), Gm7 (vi), Em7 (ii/bV), A7 (V/bIII), Dm7 (iii)
`Borrowed Chords: Em7 (ii/bV) and A7 (V/bIII)`

These songs, like “Earfquake,” feature a mix of diatonic and borrowed chords in their progressions, resulting in a similar fusion of styles and nuanced musicality.

Musical Analysis

Tyler, The Creator employs a dynamic chord progression that starts with the tonic, Bbmaj7, before moving to the borrowed Am7. This moves the progression momentarily to the G minor mode. The switch between the relative major and minor keys creates a unique melodic tension. The chords also progress through the circle of fifths with Gm7, Am7, and D7, which adds to the jazz-like style of the piece. This progression resolves back to the tonic, Bbmaj7, before repeating.

Overall Analysis

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Style Analysis

“Earfquake” showcases Tyler, The Creator’s distinct sonic signature which blends elements of hip-hop, R&B, jazz, and pop. The chord progression’s use of borrowed chords and smooth seventh chords adds a touch of sophistication, reminiscent of jazz and neo-soul music. This further emphasizes the emotional depth and complexity in Tyler’s music.

Chords in the Verse 2 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7