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Related Music Theory Alchemy

The chord progression in the verse of Tyler, The Creator’s “Earfquake” is primarily based on a simple alternation between two chords, Bbmaj7 and Am7, with a brief excursion to Gm7 before returning to Am7. The simplicity and repetition of the progression creates a feeling of comfort and stability, while the use of major 7th and minor 7th chords adds a touch of sophistication and smoothness. The progression doesn’t follow a traditional functional harmony, but it effectively supports the melody and the overall vibe of the song.

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

Tyler, The Creator – Earfquake – Verse 2

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Chord Progression

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7

Chord Progression Analysis

Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII), D7 (V7/III), Bb major 7 (I), A minor 7 (ii/bIII), G minor 7 (vi), A minor 7 (ii/bIII)

Borrowed Chord: `A minor 7 (ii/bIII)`

Similar Chord Progressions

1. Logic – “Man I Is”
Chord Progression: Ebmaj7 (I), Dm7 (VIm7), Gm7 (ii), C7 (V), Fm7 (vi), Bb7 (V/IV), Am7 (ii/bIII), Abmaj7 (IV)
`Borrowed Chord: Am7 (ii/bIII)`

2. D’Angelo – “Really Love”
Chord Progression: Bbmaj7 (I), Em7 (ii/bV), Am7 (ii/bIII), Gm7 (vi), Em7 (ii/bV), A7 (V/bIII), Dm7 (iii)
`Borrowed Chords: Em7 (ii/bV) and A7 (V/bIII)`

These songs, like “Earfquake,” feature a mix of diatonic and borrowed chords in their progressions, resulting in a similar fusion of styles and nuanced musicality.

Musical Analysis

Tyler, The Creator employs a dynamic chord progression that starts with the tonic, Bbmaj7, before moving to the borrowed Am7. This moves the progression momentarily to the G minor mode. The switch between the relative major and minor keys creates a unique melodic tension. The chords also progress through the circle of fifths with Gm7, Am7, and D7, which adds to the jazz-like style of the piece. This progression resolves back to the tonic, Bbmaj7, before repeating.

Overall Analysis

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Style Analysis

“Earfquake” showcases Tyler, The Creator’s distinct sonic signature which blends elements of hip-hop, R&B, jazz, and pop. The chord progression’s use of borrowed chords and smooth seventh chords adds a touch of sophistication, reminiscent of jazz and neo-soul music. This further emphasizes the emotional depth and complexity in Tyler’s music.

Chords in the Verse 2 section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Gm7, Am7, D7, Bbmaj7, Am7, Gm7, Am7