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The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

The chord progression in the chorus of Tyler, The Creator’s “See You Again” exhibits a combination of diatonic and chromatic movements, with the use of borrowed chords and altered dominants that create tension and release. The song is in the key of F# major.

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

“Creep” by Radiohead is an alternative rock song in the key of G major, with a somewhat melancholic tone. The chord progression used is iconic, and it heavily relies on borrowed chords to create tension and resolution in the harmony. This use of chords creates a distinct sound that has become synonymous with the song.

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

Tyler, The Creator – Are We Still Friends – Chorus

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Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
– E Major (I)
– E7 (I7)
– A Major (IV)
– A minor (iv)
“`

“`
E7 is a borrowed chord from the E Mixolydian mode.
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
“`
– C Major (I)
– C7 (I7)
– F Major (IV)
– F minor (iv)
“`

2. Marvin Gaye – “Heard It Through the Grapevine”
“`
– C# Major (I)
– C#7 (I7)
– F# Major (IV)
– F# minor (iv)
“`

3. Stevie Wonder – “Lately”
“`
– G Major (I)
– G7 (I7)
– C Major (IV)
– C minor (iv)
“`

These examples show that the I – I7 – IV – iv progression has been used by various artists across different genres and time periods, demonstrating its versatility and effectiveness.

Musical Analysis

The chord progression begins with the I chord, E Major, which establishes a strong sense of tonality. The I chord then transitions to the I7 chord, E7, which introduces a tritone and adds some dissonance. This tension is resolved as the progression moves to the IV chord, A Major, which is a perfect fourth away from E Major. Finally, the progression takes an unexpected turn by moving to the iv chord, A minor, which adds a sense of melancholy to the progression. This modal borrowing from the parallel minor key (E minor) contributes to the emotional depth of the piece.

Overall Analysis

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Style Analysis

Tyler, The Creator is known for incorporating elements of diverse musical styles in his work, and this is evident in “Are We Still Friends.” The use of I – I7 – IV – iv progression is characteristic of R&B, soul, and some pop music, especially prominent in the 1960s and 1970s. The mixture of major and minor chords and the inclusion of borrowed chords from other modes adds a sense of harmonic complexity to the otherwise simple progression.

Chords in the Chorus section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am