Music Theory Alchemy

Search

Related Music Theory Alchemy

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

**

‘Set Fire to the Rain’ is written in the key of D minor. The main course of progression uses the chords of Dm, B-flat Major, F Major and C Major. This is a 6-4-1-5 progression, which is very popular and is used in a lot of pop music.

What makes this progression interesting is that Adele uses the 2nd inversion of the A minor chord, Am/B, and G/A, which gives it a unique timbre. `Am/B` is the 2nd inversion of the `Am` chord and `G/A` is the 2nd inversion of the `G` chord.

**

**
The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

**

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

Tyler, The Creator – Are We Still Friends – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
– E Major (I)
– E7 (I7)
– A Major (IV)
– A minor (iv)
“`

“`
E7 is a borrowed chord from the E Mixolydian mode.
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
“`
– C Major (I)
– C7 (I7)
– F Major (IV)
– F minor (iv)
“`

2. Marvin Gaye – “Heard It Through the Grapevine”
“`
– C# Major (I)
– C#7 (I7)
– F# Major (IV)
– F# minor (iv)
“`

3. Stevie Wonder – “Lately”
“`
– G Major (I)
– G7 (I7)
– C Major (IV)
– C minor (iv)
“`

These examples show that the I – I7 – IV – iv progression has been used by various artists across different genres and time periods, demonstrating its versatility and effectiveness.

Musical Analysis

The chord progression begins with the I chord, E Major, which establishes a strong sense of tonality. The I chord then transitions to the I7 chord, E7, which introduces a tritone and adds some dissonance. This tension is resolved as the progression moves to the IV chord, A Major, which is a perfect fourth away from E Major. Finally, the progression takes an unexpected turn by moving to the iv chord, A minor, which adds a sense of melancholy to the progression. This modal borrowing from the parallel minor key (E minor) contributes to the emotional depth of the piece.

Overall Analysis

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Style Analysis

Tyler, The Creator is known for incorporating elements of diverse musical styles in his work, and this is evident in “Are We Still Friends.” The use of I – I7 – IV – iv progression is characteristic of R&B, soul, and some pop music, especially prominent in the 1960s and 1970s. The mixture of major and minor chords and the inclusion of borrowed chords from other modes adds a sense of harmonic complexity to the otherwise simple progression.

Chords in the Chorus section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am