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Related Music Theory Alchemy

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The chord progression in Tyler, The Creator’s “Gone Gone” is a mix of diatonic and non-diatonic chords, making it an interesting and unique progression. It features a combination of major, minor, and an altered seventh chord, adding to the overall complexity of the progression. The style is reminiscent of jazz and R&B, where more complex harmonic structures are often used. Some borrowings from different modes and chromaticism also contribute to its richness and distinct sound.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

Tyler, The Creator – Are We Still Friends – Chorus

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Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
– E Major (I)
– E7 (I7)
– A Major (IV)
– A minor (iv)
“`

“`
E7 is a borrowed chord from the E Mixolydian mode.
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
“`
– C Major (I)
– C7 (I7)
– F Major (IV)
– F minor (iv)
“`

2. Marvin Gaye – “Heard It Through the Grapevine”
“`
– C# Major (I)
– C#7 (I7)
– F# Major (IV)
– F# minor (iv)
“`

3. Stevie Wonder – “Lately”
“`
– G Major (I)
– G7 (I7)
– C Major (IV)
– C minor (iv)
“`

These examples show that the I – I7 – IV – iv progression has been used by various artists across different genres and time periods, demonstrating its versatility and effectiveness.

Musical Analysis

The chord progression begins with the I chord, E Major, which establishes a strong sense of tonality. The I chord then transitions to the I7 chord, E7, which introduces a tritone and adds some dissonance. This tension is resolved as the progression moves to the IV chord, A Major, which is a perfect fourth away from E Major. Finally, the progression takes an unexpected turn by moving to the iv chord, A minor, which adds a sense of melancholy to the progression. This modal borrowing from the parallel minor key (E minor) contributes to the emotional depth of the piece.

Overall Analysis

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Style Analysis

Tyler, The Creator is known for incorporating elements of diverse musical styles in his work, and this is evident in “Are We Still Friends.” The use of I – I7 – IV – iv progression is characteristic of R&B, soul, and some pop music, especially prominent in the 1960s and 1970s. The mixture of major and minor chords and the inclusion of borrowed chords from other modes adds a sense of harmonic complexity to the otherwise simple progression.

Chords in the Chorus section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am