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Related Music Theory Alchemy

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Tyler, The Creator – Are We Still Friends – Chorus

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Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
– E Major (I)
– E7 (I7)
– A Major (IV)
– A minor (iv)
“`

“`
E7 is a borrowed chord from the E Mixolydian mode.
“`

Similar Chord Progressions

1. The Beatles – “Let It Be”
“`
– C Major (I)
– C7 (I7)
– F Major (IV)
– F minor (iv)
“`

2. Marvin Gaye – “Heard It Through the Grapevine”
“`
– C# Major (I)
– C#7 (I7)
– F# Major (IV)
– F# minor (iv)
“`

3. Stevie Wonder – “Lately”
“`
– G Major (I)
– G7 (I7)
– C Major (IV)
– C minor (iv)
“`

These examples show that the I – I7 – IV – iv progression has been used by various artists across different genres and time periods, demonstrating its versatility and effectiveness.

Musical Analysis

The chord progression begins with the I chord, E Major, which establishes a strong sense of tonality. The I chord then transitions to the I7 chord, E7, which introduces a tritone and adds some dissonance. This tension is resolved as the progression moves to the IV chord, A Major, which is a perfect fourth away from E Major. Finally, the progression takes an unexpected turn by moving to the iv chord, A minor, which adds a sense of melancholy to the progression. This modal borrowing from the parallel minor key (E minor) contributes to the emotional depth of the piece.

Overall Analysis

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

Style Analysis

Tyler, The Creator is known for incorporating elements of diverse musical styles in his work, and this is evident in “Are We Still Friends.” The use of I – I7 – IV – iv progression is characteristic of R&B, soul, and some pop music, especially prominent in the 1960s and 1970s. The mixture of major and minor chords and the inclusion of borrowed chords from other modes adds a sense of harmonic complexity to the otherwise simple progression.

Chords in the Chorus section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am