Music Theory Alchemy

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

“Here Comes The Sun” is written by George Harrison from The Beatles and it is a key example of the band’s flirtation with what is commonly referred to as Mixolydian mode. The piece showcases their skillful blending of folk idioms with contemporary pop sensibilities.

The chord progression of the chorus of California Kids by Weezer displays a mixture of diatonic and borrowed chords in the key of F Major. The progression has a common pop-rock feel with some chromatic harmonic elements, bringing a more interesting and engaging effect to the listener.

“Whole Lotta Love” by Led Zeppelin is a classic rock song with a strong blues influence. It features a heavy riff-based progression and a powerful vocal performance by Robert Plant. The song is in the key of E Mixolydian, a mode based on the fifth degree of the A Major scale, and exhibits a heavy use of syncopation, pentatonic scales, and chromaticism throughout its structure. The rich harmonic language and distorted guitar tone makes the song an excellent example of the emerging Hard Rock and Heavy Metal styles of the late 1960s and early 1970s.

The Smashing Pumpkins – 1979 – Chorus 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The chorus is quite unique, utilizing both major and major seventh chords, creating a rich, sophisticated texture that sets it apart from other rock songs of the time.

Here is the breakdown of the chords with their Roman numerals:

“`
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
F# Minor (ii),
B Major (V),
E Major 7 (IMaj7),
E Major (I)
“`

The progression starts with the E Major to E Major seventh, which is essentially the root chord to its seventh counterpart. Then it modulates to A Major 7 before returning to root (E Major), creating a I-IV motion. The F# Minor and B Major provide a nice ii-V motion which resolves back to I (E Major).

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Similar Chord Progressions

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Billy Joel’s “And So It Goes” also features a prominent Maj7 chord in its progression, which is rather rare in mainstream rock/pop music. It uses a I-IMaj7 motion, similar to “1979”. In addition, Pink Floyd’s “Wish You Were Here” includes a Maj7 in its progression, which contributes to its introspective feel.

So here is the chord progression in these songs:
– For “And So It Goes” in C:
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C Major (I),
C Major 7 (IMaj7),
G Major (V),
A Minor (vi),
D7 (II7),

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– For “Wish You Were Here” in G:
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G Major (I),
G Major 7 (IMaj7),
C Major (IV),
D Major (V),

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Musical Analysis

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This cornerstone of the chorus lends a complexity and musical depth more often associated with jazz than mainstream rock. The song showcased Billy Corgan’s (Smashing Pumpkin’s lead songwriter) predilection for lush, emotive chords.

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Overall Analysis

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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Style Analysis

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The Smashing Pumpkins’ style is a hybrid of alternative, punk, and psychedelic rock with a touch of shoe-gazing introspection. Billy Corgan’s songwriting often uses unexpected chord progressions, such as the one in “1979”, which adds to the band’s unique, atmospheric sound.

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Chords in the Chorus 3 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]