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“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

“Today” by The Smashing Pumpkins is composed in the key of E minor. The song has quite a simple structure and harmony with a strong emphasis on the I-IV-V (D-G-A in E minor key) chord progression which is one of the most common patterns in popular music. This I-IV-V progression vests the song with its harmonic backbone and creates a strong, wide-open sonic canvas.

Killer Queen’ is one of Queen’s signature songs, abounding with Freddie Mercury’s flamboyant melodic invention, clever harmonies, and theatrical presentation. Its chorus in particular uses an array of chords to create a sophisticated and fluid progression. Before embarking on a note-by-note analysis, we can note that it principally operates in the key of G Major and involves a number of borrowed and secondary chords that bring intrigue and depth to the progression.

This chord progression is from the song, “Good Old-Fashioned Lover Boy” by Queen, which is known for its complex and intricate progressions. The song is set in the key of C major, and it features a mixture of triadic major and minor chords, dominant sevenths and the common use of borrowed and secondary dominant chords to create tension. This creates a lot of harmonic interest.

The Smashing Pumpkins – 1979 – Chorus 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The chorus is quite unique, utilizing both major and major seventh chords, creating a rich, sophisticated texture that sets it apart from other rock songs of the time.

Here is the breakdown of the chords with their Roman numerals:

“`
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
F# Minor (ii),
B Major (V),
E Major 7 (IMaj7),
E Major (I)
“`

The progression starts with the E Major to E Major seventh, which is essentially the root chord to its seventh counterpart. Then it modulates to A Major 7 before returning to root (E Major), creating a I-IV motion. The F# Minor and B Major provide a nice ii-V motion which resolves back to I (E Major).

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Similar Chord Progressions

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Billy Joel’s “And So It Goes” also features a prominent Maj7 chord in its progression, which is rather rare in mainstream rock/pop music. It uses a I-IMaj7 motion, similar to “1979”. In addition, Pink Floyd’s “Wish You Were Here” includes a Maj7 in its progression, which contributes to its introspective feel.

So here is the chord progression in these songs:
– For “And So It Goes” in C:
“`
C Major (I),
C Major 7 (IMaj7),
G Major (V),
A Minor (vi),
D7 (II7),

“`
– For “Wish You Were Here” in G:
“`
G Major (I),
G Major 7 (IMaj7),
C Major (IV),
D Major (V),

“`

Musical Analysis

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This cornerstone of the chorus lends a complexity and musical depth more often associated with jazz than mainstream rock. The song showcased Billy Corgan’s (Smashing Pumpkin’s lead songwriter) predilection for lush, emotive chords.

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Overall Analysis

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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Style Analysis

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The Smashing Pumpkins’ style is a hybrid of alternative, punk, and psychedelic rock with a touch of shoe-gazing introspection. Billy Corgan’s songwriting often uses unexpected chord progressions, such as the one in “1979”, which adds to the band’s unique, atmospheric sound.

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Chords in the Chorus 3 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]