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“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Whole Lotta Love” by Led Zeppelin is a classic rock song with a strong blues influence. It features a heavy riff-based progression and a powerful vocal performance by Robert Plant. The song is in the key of E Mixolydian, a mode based on the fifth degree of the A Major scale, and exhibits a heavy use of syncopation, pentatonic scales, and chromaticism throughout its structure. The rich harmonic language and distorted guitar tone makes the song an excellent example of the emerging Hard Rock and Heavy Metal styles of the late 1960s and early 1970s.

“Strawberry Fields Forever” by The Beatles is written in the key of A Major and features 4/4 time signature. The chord progression for Chorus 3, which you’ve mentioned, is quite sophisticated and creative, exhibiting the Beatles’ aptitude for blending conventional pop harmony with more unexpected changes, drawn from their broad palette of influences and their willingness to experiment.

The chord progression of the chorus of California Kids by Weezer displays a mixture of diatonic and borrowed chords in the key of F Major. The progression has a common pop-rock feel with some chromatic harmonic elements, bringing a more interesting and engaging effect to the listener.

The Smashing Pumpkins – 1979 – Chorus 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The chorus is quite unique, utilizing both major and major seventh chords, creating a rich, sophisticated texture that sets it apart from other rock songs of the time.

Here is the breakdown of the chords with their Roman numerals:

“`
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
F# Minor (ii),
B Major (V),
E Major 7 (IMaj7),
E Major (I)
“`

The progression starts with the E Major to E Major seventh, which is essentially the root chord to its seventh counterpart. Then it modulates to A Major 7 before returning to root (E Major), creating a I-IV motion. The F# Minor and B Major provide a nice ii-V motion which resolves back to I (E Major).

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Similar Chord Progressions

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Billy Joel’s “And So It Goes” also features a prominent Maj7 chord in its progression, which is rather rare in mainstream rock/pop music. It uses a I-IMaj7 motion, similar to “1979”. In addition, Pink Floyd’s “Wish You Were Here” includes a Maj7 in its progression, which contributes to its introspective feel.

So here is the chord progression in these songs:
– For “And So It Goes” in C:
“`
C Major (I),
C Major 7 (IMaj7),
G Major (V),
A Minor (vi),
D7 (II7),

“`
– For “Wish You Were Here” in G:
“`
G Major (I),
G Major 7 (IMaj7),
C Major (IV),
D Major (V),

“`

Musical Analysis

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This cornerstone of the chorus lends a complexity and musical depth more often associated with jazz than mainstream rock. The song showcased Billy Corgan’s (Smashing Pumpkin’s lead songwriter) predilection for lush, emotive chords.

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Overall Analysis

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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Style Analysis

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The Smashing Pumpkins’ style is a hybrid of alternative, punk, and psychedelic rock with a touch of shoe-gazing introspection. Billy Corgan’s songwriting often uses unexpected chord progressions, such as the one in “1979”, which adds to the band’s unique, atmospheric sound.

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Chords in the Chorus 3 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]