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Related Music Theory Alchemy

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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The chord progression in the chorus of “Give Me The Night” by George Benson demonstrates the use of extended and borrowed chords. The progression consists of a mix of diatonic chords and chords borrowed from the parallel minor, which is a characteristic of jazz and R&B music. The use of the Db/Eb also adds a layer of harmonic ambiguity that creates tension, enriching the overall sound of the piece.

“Strawberry Fields Forever” by The Beatles is written in the key of A Major and features 4/4 time signature. The chord progression for Chorus 3, which you’ve mentioned, is quite sophisticated and creative, exhibiting the Beatles’ aptitude for blending conventional pop harmony with more unexpected changes, drawn from their broad palette of influences and their willingness to experiment.

The chord progression of the chorus of California Kids by Weezer displays a mixture of diatonic and borrowed chords in the key of F Major. The progression has a common pop-rock feel with some chromatic harmonic elements, bringing a more interesting and engaging effect to the listener.

The Smashing Pumpkins – 1979 – Chorus 3

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]

Chord Progression Analysis

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The chorus is quite unique, utilizing both major and major seventh chords, creating a rich, sophisticated texture that sets it apart from other rock songs of the time.

Here is the breakdown of the chords with their Roman numerals:

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E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
E Major (I),
E Major 7 (IMaj7),
A Major 7 (IVMaj7),
F# Minor (ii),
B Major (V),
E Major 7 (IMaj7),
E Major (I)
“`

The progression starts with the E Major to E Major seventh, which is essentially the root chord to its seventh counterpart. Then it modulates to A Major 7 before returning to root (E Major), creating a I-IV motion. The F# Minor and B Major provide a nice ii-V motion which resolves back to I (E Major).

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Similar Chord Progressions

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Billy Joel’s “And So It Goes” also features a prominent Maj7 chord in its progression, which is rather rare in mainstream rock/pop music. It uses a I-IMaj7 motion, similar to “1979”. In addition, Pink Floyd’s “Wish You Were Here” includes a Maj7 in its progression, which contributes to its introspective feel.

So here is the chord progression in these songs:
– For “And So It Goes” in C:
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C Major (I),
C Major 7 (IMaj7),
G Major (V),
A Minor (vi),
D7 (II7),

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– For “Wish You Were Here” in G:
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G Major (I),
G Major 7 (IMaj7),
C Major (IV),
D Major (V),

“`

Musical Analysis

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This cornerstone of the chorus lends a complexity and musical depth more often associated with jazz than mainstream rock. The song showcased Billy Corgan’s (Smashing Pumpkin’s lead songwriter) predilection for lush, emotive chords.

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Overall Analysis

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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Style Analysis

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The Smashing Pumpkins’ style is a hybrid of alternative, punk, and psychedelic rock with a touch of shoe-gazing introspection. Billy Corgan’s songwriting often uses unexpected chord progressions, such as the one in “1979”, which adds to the band’s unique, atmospheric sound.

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Chords in the Chorus 3 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘F#m’, ‘B’, ‘Emaj7’, ‘E’]