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Related Music Theory Alchemy

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“1979” by The Smashing Pumpkins is a classic alternative rock song that cleverly uses uncommon, sophisticated chords to evoke an emotional, melancholic atmosphere.

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The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

The song ‘Zombie’ by The Cranberries is in the key of E minor. Its defining characteristics include plaintive repeated melodies, an intense grunge-inspired arrangement, and Dolores O’Riordan’s iconic vocal embellishments. The song employs a common rock/pop chord progression with added tension by using the D/F# chord.

“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

The Smashing Pumpkins – 1979 – Chorus 2

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Chord Progression

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]

Chord Progression Analysis

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* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* E (‘I’)
* Emaj7 (‘Imaj7’)
* Amaj7 (‘IVmaj7’)
* B (‘V’)

“`Borrowed chords: none in this particular section“`

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Similar Chord Progressions

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1. The Beatles – “Something”: The verses follow a similar structure with their usage of maj7 chords, albeit in a different key.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), Am7 (‘vim7’), D7 (‘II7’)

2. Radiohead – “Paranoid Android”: Incorporates maj7 chords and progresses in a similar oscillating manner, but in a different key and with the addition of a minor iv chord.

Chords: C (‘I’), Cmaj7 (‘Imaj7’), G (‘V’), Fmaj7 (‘IVmaj7’), Fm (‘iv’)

Please note that the use of maj7 chords in the context of rock genre is a distinguishing feature. While not identical, these pieces showcases similar stylistic choices.

Musical Analysis

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This progression oscillates between E and E major 7th, marking a standard I-Imaj7 progression. Transition from Emaj7 to Amaj7 presents a smooth stepwise up movement in the bass(From E to G# to A), hence creating a light dissonance but resolves it in the next E chord. Concluding in the B chord intensifies a strong melodic pull back to the tonic.

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Overall Analysis

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The piece, ‘1979’ by The Smashing Pumpkins follows an overarching structure with a mix of major and minor chords, what stand out are the rich extended chords, ‘Emaj7’ and ‘Amaj7’. The piece displays a balance between tonic chords and dominant chords, expressing a classic pop-rock style whilst frequent usage of maj7 chords adding a distinctive jazziness to the tune.

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Style Analysis

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The Smashing Pumpkins are known for their innovative fusion of different genres. While ‘1979’ maintains a strong rock sensibility, it exhibits interesting incorporations of jazz elements, as evident in the inclusion of major 7th chords. Repeated use of the same chords underlies a characteristic feature of pop-rock genre – repetition and the use of catchy, addictive loops.

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Chords in the Chorus 2 section of 1979 by The Smashing Pumpkins are:

[‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘E’, ‘Emaj7’, ‘Amaj7’, ‘B’]