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Related Music Theory Alchemy

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

“My Name Is Jonas” by Weezer is a 90’s alternative rock song that features a catchy and memorable chord progression during its chorus. The harmony is simple and combines both major and minor chords, giving it a balanced and well-rounded sound. It is worth noting that this progression is fairly common in popular music, particularly in rock and indie genres.

The Smashing Pumpkins – Today – Chorus 2

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Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

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D Major (I)
A Major (V)
G Major (IV)
D Major (I)
A Major (V)
G Major (IV)
D Major (I)
A Major (V)
G Major (IV)
D Major (I)
A Major (V)
B Major (VI)

Here are the borrowed chords:

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B Major (VI) borrowed from D minor
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Similar Chord Progressions

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1. Led Zeppelin – “Stairway to Heaven”:
A minor (I) – G Major (VII) – D Major (IV) – F Major (VI)
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F Major (VI) borrowed from A Major
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2. Radiohead – “Creep”:
G Major (I) – B Major (III) – C Major (IV) – C Major (IV)
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B Major (III) borrowed from G minor
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3. Oasis – “Wonderwall”:
F# minor (VI) – A Major (I) – E Major (V) – B Major (II)
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B Major (II) borrowed from A minor
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Musical Analysis

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The chord progression, D-A-G, is a classic I-V-IV progression in the key of D Major. It offers a cycle of fourths, moving from D to G, a perfect fourth, and back again through A. This is a very typical rock ‘n’ roll progression but Billy Corgan often uses distinctive voicings and colors to change up this classic progression. He does this by switching from a Major key to its relative minor, creating a darker, melancholic mood, which is complemented by the lyrics.

The borrowed B Major chord introduces a momentary modal shift. The B Major (VI) chord is not diatonic to the key of D Major – it’s borrowed from D minor. This brings a brief but effective surprise to the listener and an unexpected twist in the otherwise predictable progression.

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Overall Analysis

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Given by the chords you’ve provided, it appears the song “Today” by The Smashing Pumpkins is primarily in the key of D Major with occasional borrowed chords from D minor and E minor. The varying uses of D Major, D minor, and E minor really showcase the variety in Billy Corgan’s guitar writing.

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Style Analysis

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The Smashing Pumpkins often made use of alternative tunings, creating a unique and expansive wall of sound. This chord progression showcases their mix of heavy rock sensibilities with a keen pop sense for melodic hooks. Additionally, the band’s love for borrowing chords and switching major/minor tonality contributes to their distinctive style, adding depth and contrast to their music.

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Chords in the Chorus 2 section of Today by The Smashing Pumpkins are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘G’, ‘D’, ‘A’, ‘B’]