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Related Music Theory Alchemy

“Yesterday” by The Beatles is a classic Pop song in F Major maintaining a 2/2 time signature. The song changes the chords frequently to create a rich harmonic texture, and is known for its iconic descending guitar melody.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

The song, “As Tears Go By” by The Rolling Stones, is primarily in the key of G major. Its chord progression contains elements of classic pop songwriting, particularly from the 1960s, featuring major and minor chords, functional harmony, and a few borrowed chords. The verse has a repeating chord sequence that eventually concludes with a resolution to the tonic chord.

The Beatles – Yesterday – Verse

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Chord Progression

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]

Chord Progression Analysis

Here’s the chord progression analysis for “Yesterday” with the full chord names, their roman numerals, and the borrowed chords are indicated in block comments.

“`
F (‘I’),
Em7 (‘ii7’),
A7 (‘V7/V’),
Dm (‘vi’),
Dm/C (‘vi64’ – Inversion),
Bb (‘IV’),
C7 (‘V7’),
F (‘I’),
F/E (‘I64’ – Inversion),
Dm (‘vi’),
G7 (‘V7/ii’),
Bb (‘IV’),
F (‘I’)
“`

Similar Chord Progressions

The descending bassline and use of borrowed chords in “Yesterday” can be found in several songs across genres:

1) “There Will Never Be Another You” by Harry Warren; similar chord progression of:

“`
Eb (‘I’),
Gm7 (‘iii’),
C7 (‘V’, Secondary Dominant),
Fm (‘vi’),
Fm/Eb (‘vi64’ – Inversion),
Bb7 (‘V7/IV’),
Eb (‘I’)
“`

2) “My Funny Valentine” by Rodgers and Hart; similar chord progression of:

“`
Cm (‘i’),
Cm/Bb (‘i64’ – Inversion),
Ab (‘IV’),
G7 (‘V’),
Cm (‘i’)
“`

Note: Our comparisons are based on the utilization of descending bassline and borrowed chords from “Yesterday”. However, the feel and structure of these songs can vary greatly depending on their arrangement and performance.

Musical Analysis

With its descending bassline, subtle rhythm changes, and ‘blended’ modal effect, “Yesterday” demonstrates a tasteful mix of jazz and pop influences. It features a striking chord structure, giving the piece a sense of fluidity and ambiguity, thus allowing for expressive melody and harmony.

The song frequently uses the return to I – the tonic chord – to provide resolution and maintain balance within the complexity of its progression.

Overall Analysis

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

Style Analysis

The significant style note of “Yesterday” is its use of parallel major and minor scales, contributing to its blended modal effect. It mixes modern and classical styles, thus making it quite distinct from typical pop songs.

The Beatles’ extensive use of borrowed chords gives the piece its unique aura, demonstrating their innovative approach to songwriting. Despite the complexity of the progression, the melody remains familiar and inviting.

Chords in the Verse section of Yesterday by The Beatles are:

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]