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Related Music Theory Alchemy

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

“Within You Without You” from The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, composed by George Harrison, is a unique song in the Beatles’ discography. Musically, it truly merges the essence of Indian classical music with traditional Western music techniques. The chord progression is minimal and largely stays around the key of C major, which enhances the song’s drone-like effect, typical in traditional Indian music.

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

Taylor Swift’s “Black Dog” features a verse chord progression that is both simple and evocative, utilizing variations of the tonic chord to create a sense of movement and build tension before resolving into more straightforward chord changes. This kind of progression is characteristic of songs that aim to evoke a contemplative or narrative-driven mood, which is a frequent theme in Swift’s songwriting.

The chord progression in Radiohead’s “You And Whose Army” showcases the band’s unique style of blending chord progressions from different key centers, as well as their tendency to use borrowed chords. The progression consists largely of diatonic chords from the key of C# minor, but also features a few borrowed chords from D# minor and the parallel major key, C# Major.

The Beatles – Yesterday – Verse

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Chord Progression

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]

Chord Progression Analysis

Here’s the chord progression analysis for “Yesterday” with the full chord names, their roman numerals, and the borrowed chords are indicated in block comments.

“`
F (‘I’),
Em7 (‘ii7’),
A7 (‘V7/V’),
Dm (‘vi’),
Dm/C (‘vi64’ – Inversion),
Bb (‘IV’),
C7 (‘V7’),
F (‘I’),
F/E (‘I64’ – Inversion),
Dm (‘vi’),
G7 (‘V7/ii’),
Bb (‘IV’),
F (‘I’)
“`

Similar Chord Progressions

The descending bassline and use of borrowed chords in “Yesterday” can be found in several songs across genres:

1) “There Will Never Be Another You” by Harry Warren; similar chord progression of:

“`
Eb (‘I’),
Gm7 (‘iii’),
C7 (‘V’, Secondary Dominant),
Fm (‘vi’),
Fm/Eb (‘vi64’ – Inversion),
Bb7 (‘V7/IV’),
Eb (‘I’)
“`

2) “My Funny Valentine” by Rodgers and Hart; similar chord progression of:

“`
Cm (‘i’),
Cm/Bb (‘i64’ – Inversion),
Ab (‘IV’),
G7 (‘V’),
Cm (‘i’)
“`

Note: Our comparisons are based on the utilization of descending bassline and borrowed chords from “Yesterday”. However, the feel and structure of these songs can vary greatly depending on their arrangement and performance.

Musical Analysis

With its descending bassline, subtle rhythm changes, and ‘blended’ modal effect, “Yesterday” demonstrates a tasteful mix of jazz and pop influences. It features a striking chord structure, giving the piece a sense of fluidity and ambiguity, thus allowing for expressive melody and harmony.

The song frequently uses the return to I – the tonic chord – to provide resolution and maintain balance within the complexity of its progression.

Overall Analysis

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

Style Analysis

The significant style note of “Yesterday” is its use of parallel major and minor scales, contributing to its blended modal effect. It mixes modern and classical styles, thus making it quite distinct from typical pop songs.

The Beatles’ extensive use of borrowed chords gives the piece its unique aura, demonstrating their innovative approach to songwriting. Despite the complexity of the progression, the melody remains familiar and inviting.

Chords in the Verse section of Yesterday by The Beatles are:

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]