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Related Music Theory Alchemy

The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

“Nothings Gonna Change My Love For You” is a romantic ballad featuring a smooth and melodic chord progression characteristic of the pop and jazz fusion genres. The Verse’s chord progression contains some elements of a standard jazz progression while also making use of several borrowed chords. The chords contribute to the warm and sentimental atmosphere that captures the essence of the song’s theme.

The Beatles – Yesterday – Verse

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Chord Progression

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]

Chord Progression Analysis

Here’s the chord progression analysis for “Yesterday” with the full chord names, their roman numerals, and the borrowed chords are indicated in block comments.

“`
F (‘I’),
Em7 (‘ii7’),
A7 (‘V7/V’),
Dm (‘vi’),
Dm/C (‘vi64’ – Inversion),
Bb (‘IV’),
C7 (‘V7’),
F (‘I’),
F/E (‘I64’ – Inversion),
Dm (‘vi’),
G7 (‘V7/ii’),
Bb (‘IV’),
F (‘I’)
“`

Similar Chord Progressions

The descending bassline and use of borrowed chords in “Yesterday” can be found in several songs across genres:

1) “There Will Never Be Another You” by Harry Warren; similar chord progression of:

“`
Eb (‘I’),
Gm7 (‘iii’),
C7 (‘V’, Secondary Dominant),
Fm (‘vi’),
Fm/Eb (‘vi64’ – Inversion),
Bb7 (‘V7/IV’),
Eb (‘I’)
“`

2) “My Funny Valentine” by Rodgers and Hart; similar chord progression of:

“`
Cm (‘i’),
Cm/Bb (‘i64’ – Inversion),
Ab (‘IV’),
G7 (‘V’),
Cm (‘i’)
“`

Note: Our comparisons are based on the utilization of descending bassline and borrowed chords from “Yesterday”. However, the feel and structure of these songs can vary greatly depending on their arrangement and performance.

Musical Analysis

With its descending bassline, subtle rhythm changes, and ‘blended’ modal effect, “Yesterday” demonstrates a tasteful mix of jazz and pop influences. It features a striking chord structure, giving the piece a sense of fluidity and ambiguity, thus allowing for expressive melody and harmony.

The song frequently uses the return to I – the tonic chord – to provide resolution and maintain balance within the complexity of its progression.

Overall Analysis

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

Style Analysis

The significant style note of “Yesterday” is its use of parallel major and minor scales, contributing to its blended modal effect. It mixes modern and classical styles, thus making it quite distinct from typical pop songs.

The Beatles’ extensive use of borrowed chords gives the piece its unique aura, demonstrating their innovative approach to songwriting. Despite the complexity of the progression, the melody remains familiar and inviting.

Chords in the Verse section of Yesterday by The Beatles are:

[‘F’, ‘Em7’, ‘A7’, ‘Dm’, ‘Dm/C’, ‘Bb’, ‘C7’, ‘F’, ‘F/E’, ‘Dm’, ‘G7’, ‘Bb’, ‘F’, ‘F’]