Music Theory Alchemy

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The overall analysis of “With A Little Help From My Friends” indicates usage of the classic Pop/Rock chord style that The Beatles were known for. This style often features I-IV-V (1-4-5) progressions and the usage of minor chords to create emotive contrasts. “With A Little Help From My Friends” uses this to great effect, even incorporating borrowed chords from parallel scales for enhanced emotion and “singability.”

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“Maxwell’s Silver Hammer” by The Beatles is a track that showcases the band’s fondness for creating complex and textured compositions by combining multiple melody lines with innovative chord sequences in a pop rock context. It features numerous musical styles, including pop, rock, and music hall, which reflects the band’s eclectic musical influences. The Coda of the song takes place in the key of D major.

“House of the Rising Sun” by The Animals is a folk-rock song in A minor that features a distinct and memorable chord progression in its coda. By incorporating rhythmic and dynamic elements in their rendition, The Animals managed to popularize the song, making it one of their best-known hits.

“A Hard Day’s Night” by the Beatles is in the key of G Major. According to the provided list, the song has an array of major, minor, and some of the seventh and suspended chords, which is quite typical for the pop and rock genres. The coda appears to be a cyclic repetition of a phrase involving a transition from a C Major to a G Major chord, before leading to the repeated sequence of D7sus4, Dm7 chords. The D7sus4 and Dm7 chords give an interesting tension and release effect, as the suspension wants to resolve to the minor chord, while the minor chord creates an expectation for a return to the root chord.

The Beatles – With A Little Help From My Friends – Coda

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Chord Progression

[‘D’, ‘A’, ‘C’, ‘D’, ‘E’]

Chord Progression Analysis

The chord progression you’ve provided appears to be the closing / final progression of the song, often referred to as coda.

“`
D major (‘IV’),
A major (‘V of IV’),
C major (‘♭III’ – borrowed from E minor),
D major (‘IV’),
E major (‘I’)
“`

Notice here that the IV – I (‘D – E’) motion occurs twice, bookending the `A – C – D` sequence. The C major may seem out of place but it provides a profound emotional height through a common Beatles trick, borrowing from the parallel minor.

Similar Chord Progressions

The use of borrowed chords, especially the ♭III in a major key, is prevalent in many popular music compositions.

– Elton John’s “Funeral For A Friend/Love Lies Bleeding” employs a IV – ♭III – IV – V – I quite similar to “With A Little Help From My Friends”, but borrowing from the parallel minor happens on the second chord in the sequence.

“`
F# major (‘IV’),
D major (‘♭III’ – borrowed from A minor),
F# major (‘IV’),
G major (‘V’),
A major (‘I’)
“`

– David Bowie’s “Life On Mars?”:

“`
E major (‘I’),
G major (‘♭III’ – borrowed from E minor),
C major (‘♭VI’ – borrowed from E minor),
D major (‘♭VII’ – borrowed from E minor)
“`

Here, the borrowed ♭III chord plays a similar role to the one in “With A Little Help From My Friends”, introducing an unexpected turn in the color and mood of the progression.

Remember, these are just a few examples of the use of borrowed chords in contemporary pop music and how they create unique progressions and tonalities in their music.

Musical Analysis

The C major chord is borrowed from the parallel minor of E, i.e., E minor. Modal interchange, or borrowing chords from a parallel key, was a frequent technique used by The Beatles. This borrowed ♭III chord adds to the tension and sense of unpredictability, driving home the resolution to the home key of E major.

Overall Analysis

The Beatles’ “With A Little Help From My Friends” is in the key of E major and the coda chord progression special in its context. It is a clear example of a piece from the pop or rock genre exhibiting a distinctive use of chord progressions and modulation without adhering strictly to the classical traditions. Common prevailing characteristics of music by The Beatles are exemplified in this piece through its use of borrowed chords, chromatic mediants, and modal interchange, providing a distinct harmonic color and texture.

Style Analysis

The Beatles’ songwriting often featured innovative and complex harmonic structures. “With A Little Help From My Friends” is emblematic of their innovative use of harmony throughout their catalog, eschewing the straightforward, diatonic progressions of a majority of pop music. They often employed borrowed chords or chords from a parallel minor key to enrich their compositions. This provides a certain depth and complexity to the otherwise simple melodies.

Chords in the Coda section of With A Little Help From My Friends by The Beatles are:

[‘D’, ‘A’, ‘C’, ‘D’, ‘E’]