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Related Music Theory Alchemy

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

“Here, There and Everywhere” is a Beatles song from the album “Revolver”, released in 1966. The song is in the key of G major and showcases an advanced use of borrowed chords and modulations, a topic that contributes to the originality of this song. McCartney credited the song’s structure of changing key to Brian Wilson’s influence in the same period.

The Beatles’ “Something” is a soulful ballad from their 1969 album “Abbey Road.” It’s primarily composed in the key of C major, but features modulations to other keys throughout its duration. The harmony of this song is somewhat complicated, but still rooted in traditional practices. “Something” effectively uses borrowed chords—chords from parallel keys—to create a fresh and memorable sound.

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“Within You Without You” from The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, composed by George Harrison, is a unique song in the Beatles’ discography. Musically, it truly merges the essence of Indian classical music with traditional Western music techniques. The chord progression is minimal and largely stays around the key of C major, which enhances the song’s drone-like effect, typical in traditional Indian music.

The Beatles – In My Life – Intro

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Chord Progression

[‘A’, ‘E’]

Chord Progression Analysis

Here are the full chord names, their roman numerals, and borrowed chords indication:

A Major (‘I’)
E Major (‘V’)
A Major (‘I’)
E Major (‘V’)
F# Minor (‘vi’)
A7/G (‘V7/IV’) – borrowed from D Major
D Major (‘IV’)
D Minor (‘iv’) – borrowed from A Minor
..and so on..

“`
The borrowed chords in this progression are:
A7/G (‘V7/IV’) – Borrowed from D major
D Minor (‘iv’) – Borrowed from A minor
“`

Similar Chord Progressions

The chord progression of “In My Life” is a twist on a common pop progression, and many songs have similar elements:

1. “Let It Be” by The Beatles also employs the use of a descending progression.
2. “Stairway to Heaven” by Led Zeppelin uses a similar chromatic bass movement.
3. “Fix You” by Coldplay: The chords in the chorus (F#m – D – A – E), although in a different key, resemble the first four chords of “In My Life” (A – E – F#m – A7/G).

Please, note that the Beatles’ unique treatment of chord progression and song structure sets “In My Life” apart, making it a unique piece despite the shared traits with other songs.

Musical Analysis

A significant point in the song is its use of modal interchange, otherwise known as borrowed chords. The progression starts using diatonic chords within A Major, and then borrows two chords: A7/G, the dominant seventh of the IV (D Major), and D minor, borrowed from the parallel minor key (A minor). The use of these borrowed chords adds a sense of tension and emotional color to the melody.

This song also makes use of the descending bass line movement in the progression F# minor – A7/G – D – D minor. This generates anticipation and provides a nice resolution when it leads back to the A Major chord.

Overall Analysis

“In My Life” by The Beatles is in A Major key, and it makes use of both diatonic and non-diatonic chords. The song is notable for its use of various chord trickery such as modal borrowing, secondary dominant, and chromatic bass movement. Additionally, the song is filled with the Beatles’ signatures: a mix of major and minor chords and the use of the VI-IV progression.

Style Analysis

The Beatles’ style in “In My Life” reflects their knack for blending styles and musical innovation. The usage of major and minor chords in one progression mixed with the Beatles’ signature style of storytelling with the melody gives off an emotional and evocative feeling, which is a characteristic trait in their music.

The progression also employs a standard VI-IV progression found in much of pop music. The usage of this common pop music progression, mixed with modal interchange and the chromatic bass movement gives the song an interesting twist, making it a great example of the Beatles’ innovative approach to songwriting.

Chords in the Intro section of In My Life by The Beatles are:

[‘A’, ‘E’]