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Related Music Theory Alchemy

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

“Something” is composed in C Major; however, it modulates to several different keys. The song’s chord progression is relatively complex and less adherent to traditional tonality, typical of much of The Beatles’ work, particularly in their later years. Throughout the song, they make use of several common progressions, but with a few unique changes.

“When I Was Your Man” by Bruno Mars is in the key of C major. It is a ballad with a piano-led instrumentation, backed by Bruno’s powerful and emotive vocals. The melody and chords are relatively simple, but the lingering tone and the poignant lyrics create an emotionally resonant track. A common feature in this piece, as well as many pop songs in general, is the use of borrowed chords.

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The Beatles – Cant Buy Me Love – Verse 1

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Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

`C7 (V7/IV) –> F7 (IV7) –> C (I)`

These chords fit perfectly into the structure of the commonly used I-IV-V progression in classical and modern Western music. Yet, the inclusion of a dominant 7th chord on the tonic is quite unique.

In a Major key, a dominant seventh chord (V7) often leads to a resolution on the tonic (I) chord. Here, ‘F7’ (rather than ‘F’) serves as the IV chord, and is preceded by a secondary dominant (V7 of IV), ‘C7’, which creates a strong pull towards ‘F7’.

`Borrowed Chord: F7 (from C minor)`

The use of ‘F7’ (IV7), particularly, is an example of borrowed chord, often found in Blues and other types of music that incorporate blue notes. This chord is borrowed from C minor (the parallel minor of C Major).

Similar Chord Progressions

An example of another song that uses a similar approach through incorporation of secondary dominants and blues-oriented dominant 7th chords is The Beatles’ own “I Want to Hold Your Hand” (`D (I) –> G (IV) –> D (I) –> E7 (V7/IV) –> A7 (V7/V) –> D (I)`).

Aside from The Beatles, artists like Chuck Berry and Buddy Holly used dominant 7th chords frequently. A song like “Johnny B. Goode” (`Bb (I) –> Eb7 (IV7) –> Bb (I)`) or Buddy Holly’s “That’ll Be The Day” (`A (I) –> D7 (IV7) –> E7 (V7) –> A (I)`) also share certain similarities with “Can’t Buy Me Love”.

Musical Analysis

The Beatles often incorporate elements of blues and jazz into their music, and “Can’t Buy Me Love” is no exception. The use of dominant 7th chords in the progression, particularly the secondary dominant and the borrowed chord from the parallel minor, adds to the bluesy feel of this song while still conforming to pop song structure norms.

Overall Analysis

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Style Analysis

This track is a blend of rock and roll and pop, with high-energy, uptempo rhythm and catchy melodies. It’s light-hearted and upbeat in terms of style, and the use of distinct chord progressions like a secondary dominant leading to a borrowed chord add a layer of complexity setting The Beatles’ work apart from many contemporaries.

Chords in the Verse 1 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]