Music Theory Alchemy

Search

Related Music Theory Alchemy

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

The Beatles – Cant Buy Me Love – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘C7’, ‘F7’, ‘C’]

Chord Progression Analysis

`C7 (V7/IV) –> F7 (IV7) –> C (I)`

These chords fit perfectly into the structure of the commonly used I-IV-V progression in classical and modern Western music. Yet, the inclusion of a dominant 7th chord on the tonic is quite unique.

In a Major key, a dominant seventh chord (V7) often leads to a resolution on the tonic (I) chord. Here, ‘F7’ (rather than ‘F’) serves as the IV chord, and is preceded by a secondary dominant (V7 of IV), ‘C7’, which creates a strong pull towards ‘F7’.

`Borrowed Chord: F7 (from C minor)`

The use of ‘F7’ (IV7), particularly, is an example of borrowed chord, often found in Blues and other types of music that incorporate blue notes. This chord is borrowed from C minor (the parallel minor of C Major).

Similar Chord Progressions

An example of another song that uses a similar approach through incorporation of secondary dominants and blues-oriented dominant 7th chords is The Beatles’ own “I Want to Hold Your Hand” (`D (I) –> G (IV) –> D (I) –> E7 (V7/IV) –> A7 (V7/V) –> D (I)`).

Aside from The Beatles, artists like Chuck Berry and Buddy Holly used dominant 7th chords frequently. A song like “Johnny B. Goode” (`Bb (I) –> Eb7 (IV7) –> Bb (I)`) or Buddy Holly’s “That’ll Be The Day” (`A (I) –> D7 (IV7) –> E7 (V7) –> A (I)`) also share certain similarities with “Can’t Buy Me Love”.

Musical Analysis

The Beatles often incorporate elements of blues and jazz into their music, and “Can’t Buy Me Love” is no exception. The use of dominant 7th chords in the progression, particularly the secondary dominant and the borrowed chord from the parallel minor, adds to the bluesy feel of this song while still conforming to pop song structure norms.

Overall Analysis

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

Style Analysis

This track is a blend of rock and roll and pop, with high-energy, uptempo rhythm and catchy melodies. It’s light-hearted and upbeat in terms of style, and the use of distinct chord progressions like a secondary dominant leading to a borrowed chord add a layer of complexity setting The Beatles’ work apart from many contemporaries.

Chords in the Verse 1 section of Cant Buy Me Love by The Beatles are:

[‘C7’, ‘F7’, ‘C’]