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Related Music Theory Alchemy

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The given chord progression is from the chorus of “Earfquake” by Tyler, The Creator, a contemporary hip-hop and neo-soul artist. The progression features a smooth and mellow tonality, characterized by the use of 7th chords. The chord progression is in the key of Bb Major and showcases the use of mostly diatonic chords with a repetition that contributes to the song’s catchy nature.

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

Radiohead – Nude – Chorus

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Chord Progression

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9

Chord Progression Analysis

B Major (I) – G#m7 (vi7) – Aadd9 (IIadd9) – G#m7 (vi7) – Aadd9 (IIadd9) – C#m7 (iii7) – Aadd9 (IIadd9)

`Borrowed chord: Aadd9 (IIadd9)`

Similar Chord Progressions

1. “Something” by The Beatles
C Major (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D (II) – G (V) – Am (vi) – AmMaj7 (viMaj7) – Am7 (vi7) – Am6 (vi6)

`Borrowed chord: D Major (II)`

2. “Space Oddity” by David Bowie
Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9) – Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9)

`Borrowed chord: Aadd9 (IIIadd9)`

These songs feature borrowed chords and added tensions, similar to the chord progression used in “Nude” by Radiohead. They showcase a departure from diatonic progressions, employing unexpected harmonic shifts and contributing to the uniqueness of each song’s sound.

Musical Analysis

In the key of B Major, the chords built on the first, third, and sixth scale degrees (B, C#m, and G#m) are diatonic, while the Aadd9 chord is a borrowed chord from the parallel minor key (B minor). The use of the Aadd9 chord just a half step above the G#m7 chord creates a sense of tension and surprise, deviating from the more predictable path in diatonic progressions. This is a common feature in Radiohead’s music. The cycling back and forth between the G#m7 and Aadd9 chords adds a sense of uneasiness and ambiguity, while the concluding chord, C#m7, provides a sense of resolution within the progression.

Overall Analysis

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Style Analysis

Radiohead is known for unconventional and creative uses of harmony, and this chord progression is no exception. The borrowed Aadd9 chord and added tensions in the chord progression create a more complex and unexpected harmony, straying from typical pop or rock chord progressions. This characteristically Radiohead style of pushing the boundaries of harmonic expectations contributes to the emotive, mysterious sound of “Nude.”

Chords in the Chorus section of Nude by Radiohead are:

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9