Music Theory Alchemy

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The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

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“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

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The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

Radiohead – Nude – Chorus

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Chord Progression

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9

Chord Progression Analysis

B Major (I) – G#m7 (vi7) – Aadd9 (IIadd9) – G#m7 (vi7) – Aadd9 (IIadd9) – C#m7 (iii7) – Aadd9 (IIadd9)

`Borrowed chord: Aadd9 (IIadd9)`

Similar Chord Progressions

1. “Something” by The Beatles
C Major (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D (II) – G (V) – Am (vi) – AmMaj7 (viMaj7) – Am7 (vi7) – Am6 (vi6)

`Borrowed chord: D Major (II)`

2. “Space Oddity” by David Bowie
Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9) – Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9)

`Borrowed chord: Aadd9 (IIIadd9)`

These songs feature borrowed chords and added tensions, similar to the chord progression used in “Nude” by Radiohead. They showcase a departure from diatonic progressions, employing unexpected harmonic shifts and contributing to the uniqueness of each song’s sound.

Musical Analysis

In the key of B Major, the chords built on the first, third, and sixth scale degrees (B, C#m, and G#m) are diatonic, while the Aadd9 chord is a borrowed chord from the parallel minor key (B minor). The use of the Aadd9 chord just a half step above the G#m7 chord creates a sense of tension and surprise, deviating from the more predictable path in diatonic progressions. This is a common feature in Radiohead’s music. The cycling back and forth between the G#m7 and Aadd9 chords adds a sense of uneasiness and ambiguity, while the concluding chord, C#m7, provides a sense of resolution within the progression.

Overall Analysis

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Style Analysis

Radiohead is known for unconventional and creative uses of harmony, and this chord progression is no exception. The borrowed Aadd9 chord and added tensions in the chord progression create a more complex and unexpected harmony, straying from typical pop or rock chord progressions. This characteristically Radiohead style of pushing the boundaries of harmonic expectations contributes to the emotive, mysterious sound of “Nude.”

Chords in the Chorus section of Nude by Radiohead are:

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9