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Related Music Theory Alchemy

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The chorus of Taylor Swift’s “Guilty as Sin?” showcases a rich and dynamic chord progression that reflects the song’s emotional intensity and narrative depth. This progression, with its interplay of major, major seventh, and minor chords, provides a musical canvas that enhances the emotional weight of the lyrics, indicative of Swift’s sophisticated songwriting approach.

Radiohead – Nude – Chorus

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Chord Progression

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9

Chord Progression Analysis

B Major (I) – G#m7 (vi7) – Aadd9 (IIadd9) – G#m7 (vi7) – Aadd9 (IIadd9) – C#m7 (iii7) – Aadd9 (IIadd9)

`Borrowed chord: Aadd9 (IIadd9)`

Similar Chord Progressions

1. “Something” by The Beatles
C Major (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D (II) – G (V) – Am (vi) – AmMaj7 (viMaj7) – Am7 (vi7) – Am6 (vi6)

`Borrowed chord: D Major (II)`

2. “Space Oddity” by David Bowie
Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9) – Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9)

`Borrowed chord: Aadd9 (IIIadd9)`

These songs feature borrowed chords and added tensions, similar to the chord progression used in “Nude” by Radiohead. They showcase a departure from diatonic progressions, employing unexpected harmonic shifts and contributing to the uniqueness of each song’s sound.

Musical Analysis

In the key of B Major, the chords built on the first, third, and sixth scale degrees (B, C#m, and G#m) are diatonic, while the Aadd9 chord is a borrowed chord from the parallel minor key (B minor). The use of the Aadd9 chord just a half step above the G#m7 chord creates a sense of tension and surprise, deviating from the more predictable path in diatonic progressions. This is a common feature in Radiohead’s music. The cycling back and forth between the G#m7 and Aadd9 chords adds a sense of uneasiness and ambiguity, while the concluding chord, C#m7, provides a sense of resolution within the progression.

Overall Analysis

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Style Analysis

Radiohead is known for unconventional and creative uses of harmony, and this chord progression is no exception. The borrowed Aadd9 chord and added tensions in the chord progression create a more complex and unexpected harmony, straying from typical pop or rock chord progressions. This characteristically Radiohead style of pushing the boundaries of harmonic expectations contributes to the emotive, mysterious sound of “Nude.”

Chords in the Chorus section of Nude by Radiohead are:

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9