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Related Music Theory Alchemy

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Knives Out” by Radiohead features a chord progression that combines elements of rock and jazz with a touch of chromaticism. The harmony is based in the key of C minor, but it also borrows chords from the parallel major key, creating an interesting mix of major and minor tonalities. The overall feel of the piece is melancholic and introspective, with various chord relationships contributing to this mood.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

“Kiss” is a funk, synthpop song written, produced and performed by Prince. The song’s structure runs around a simple, repeated two-bar eight-note pattern, but what’s odd is the song’s key. Dotting between E and D, it’s hard to pin down definitively, but the song seems to be written in the ambiguous key of E Mixolydian/D major.

Radiohead – Nude – Chorus

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Chord Progression

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9

Chord Progression Analysis

B Major (I) – G#m7 (vi7) – Aadd9 (IIadd9) – G#m7 (vi7) – Aadd9 (IIadd9) – C#m7 (iii7) – Aadd9 (IIadd9)

`Borrowed chord: Aadd9 (IIadd9)`

Similar Chord Progressions

1. “Something” by The Beatles
C Major (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D (II) – G (V) – Am (vi) – AmMaj7 (viMaj7) – Am7 (vi7) – Am6 (vi6)

`Borrowed chord: D Major (II)`

2. “Space Oddity” by David Bowie
Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9) – Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9)

`Borrowed chord: Aadd9 (IIIadd9)`

These songs feature borrowed chords and added tensions, similar to the chord progression used in “Nude” by Radiohead. They showcase a departure from diatonic progressions, employing unexpected harmonic shifts and contributing to the uniqueness of each song’s sound.

Musical Analysis

In the key of B Major, the chords built on the first, third, and sixth scale degrees (B, C#m, and G#m) are diatonic, while the Aadd9 chord is a borrowed chord from the parallel minor key (B minor). The use of the Aadd9 chord just a half step above the G#m7 chord creates a sense of tension and surprise, deviating from the more predictable path in diatonic progressions. This is a common feature in Radiohead’s music. The cycling back and forth between the G#m7 and Aadd9 chords adds a sense of uneasiness and ambiguity, while the concluding chord, C#m7, provides a sense of resolution within the progression.

Overall Analysis

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Style Analysis

Radiohead is known for unconventional and creative uses of harmony, and this chord progression is no exception. The borrowed Aadd9 chord and added tensions in the chord progression create a more complex and unexpected harmony, straying from typical pop or rock chord progressions. This characteristically Radiohead style of pushing the boundaries of harmonic expectations contributes to the emotive, mysterious sound of “Nude.”

Chords in the Chorus section of Nude by Radiohead are:

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9