Music Theory Alchemy

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“Motion Picture Soundtrack” is an alternative rock song by Radiohead from their album “Kid A” released in 2000. The chord progression in the hook features a mixture of harmonic choices from both diatonic and non-diatonic sources, with borrowed chords and chromatic notes. The style displays a unique blend of rock, electronic, and experimental music elements, which is characteristic of the art/pop-rock genre of the time.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

Radiohead – Motion Picture Soundtrack – Verse 2

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Chord Progression

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2

Chord Progression Analysis

1. G Major (I)
2. Csus2 (IVsus2)
3. Bmadd9 (iii(add9))
4. Csus2 (IVsus2)

This progression continuously oscillates between G major, the tonality established in the piece, and Csus2 (used as a borrowed chord), a suspension that resolves back to G major.

Similar Chord Progressions

1. Coldplay – “Yellow”:
1. B Major (I)
2. F#sus4 (V7sus4)
3. G#m (vi)
4. E Major (IV)

2. U2 – “With or Without You”:
1. D Major (I)
2. A Major (V)
3. Bm (vi)
4. G (IV)

These two examples show a similar approach to the use of suspensions and oscillation between harmonies found in Radiohead’s “Motion Picture Soundtrack”. While they are not an exact match, they showcase the power of blending suspense and emotion through the use of suspended chords and unconventional chord progressions.

Musical Analysis

The use of sus2 chords and the added 9th in Bmadd9 adds a unique and ethereal quality to the song. The oscillation between G major and the suspended chords creates tension, while the Bmadd9 chord adds a layer of complexity to the progression while still giving it a sense of stability. The suspension in the chords, along with the mix of major and minor tonalities, creates a sense of longing and emotion, typical of Radiohead’s atmospheric and melancholic style.

Overall Analysis

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Style Analysis

Radiohead is known for their experimental and unique approach to songwriting, often using suspended chords and unconventional chord progressions to create a rich, emotional sound. Their harmonic language sometimes borrows from classical music and jazz without adhering strictly to either genre. The result is a distinct sound that is expressive and emotionally evocative, which the chord progression in Verse 2 of “Motion Picture Soundtrack” perfectly exemplifies.

Chords in the Verse 2 section of Motion Picture Soundtrack by Radiohead are:

G, Csus2, Bmadd9, Csus2, G, Csus2, Bmadd9, Csus2