Music Theory Alchemy

Search

Related Music Theory Alchemy

**

“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

**

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

The chord progression in the chorus of “Hoppipolla” by Sigur Rós can be considered as being in the key of B Major, featuring a mixture of diatonic and borrowed chords. The progression shows Sigur Rós’ signature atmospheric and emotive style, utilizing various harmonic techniques to create a lush chord progression.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

Portishead – Sour Times – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘F#m7’, ‘Emaj7’, ‘D#7’, ‘F#m7’, ‘Emaj7’, ‘D#7’, ‘C#m’, ‘D#7’, ‘G#7’]

Chord Progression Analysis

The following is the chord progression analysis for the chorus:

“`
F# minor 7 (ii7),
E Major 7 (I7),
D# Dominant 7 (vii7),
F# minor 7 (ii7),
E Major 7 (I7),
D# Dominant 7 (vii7),
C# minor (vi),
D# Dominant 7 (vii7),
G# Dominant 7 (#V7)
“`

The G# Dominant 7 is a borrowed chord, it is typically absent from the key of E major and thus lends a more complex and unique character to the song’s arrangement.

Similar Chord Progressions

1) “Creep” by Radiohead also employs a similar progression with shifting from a minor 7th to a Major 7th and also features a borrowed Major 7th chord:
“`
G Major (I),
B Major (#III – borrowed chord),
C Major (IV),
C minor (iv – borrowed chord)
“`

2) The Beatles’ “Something” also uses a descending progression with seventh chords:
“`
C Major (I),
C Major 7 (I7),
C7 (I7),
F Major (IV)
“`

3) “Hallelujah” by Leonard Cohen follows a similar progression and includes a Major 7th chord:
“`
C Major (I),
A minor (vi),
C Major (I),
A minor (vi),
F Major (IV),
G Major (V),
C Major (I),
G Major (V)
“`

Musical Analysis

In “Sour Times”, the usage of F# minor 7 to E Major 7 provides a smooth descending progression that introduces an element of resolution to the chorus. The transition from D#7 to F#m7 reintroduces some tension which is then diffused again by returning to the E Major 7, creating a satisfying and distinctive cyclic pattern. The progression concludes with the C#m, D#7, to the borrowed G#7, providing a unique flavour and an unexpected turn to the song.

Overall Analysis

“Sour Times” by Portishead is characterized by dark, brooding sounds and melancholic melodies that gives the song its distinct feel, largely due to the specific chord progression that is used throughout the song. Written in the key of E major, the song makes use of a diverse selection of chords that offers a wider blend of harmonic options to navigate through different moods and tonal landscapes.

Style Analysis

Portishead is known for their unique sound that fuses elements of trip-hop, electronica, and jazz and “Sour Times” is no exception. The song’s unorthodox chord arrangement showcases Portishead’s signature style – a complex arrangement of moods and tones that evoke a sense of drama and melancholy. The usage of seventh chords contributes to its jazzy feel and trip hop’s signature gloomy ambience.

Chords in the Chorus section of Sour Times by Portishead are:

[‘F#m7’, ‘Emaj7’, ‘D#7’, ‘F#m7’, ‘Emaj7’, ‘D#7’, ‘C#m’, ‘D#7’, ‘G#7’]