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Related Music Theory Alchemy

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The chorus of “Give Me The Night” by George Benson features a smooth chord progression that explores both diatonic and borrowed chords, creating a sophisticated sound that is characteristic of the jazz and R&B styles prevalent in the late 1970s and early 1980s. The progression is comprised of chords that stem from the Fm7 key but also includes a borrowed Dbmaj7 chord.

The chorus of “California Kids” by Weezer features an interesting mix of primarily diatonic chords, with some borrowed chords and chromaticism. The chord progression has a pop-rock feel, with uplifting major and minor chords, and the use of the E major chords adds tension and intrigue.

Pink Floyd – Breathe – Chorus 1

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Chord Progression

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9

Chord Progression Analysis

C Major 7 (I) – B Minor 7 (ii♭) – F Major 7 (IV♭) – G Major (V) – D7♯9 (V7/ii) – D7♭9 (V7♭9/ii)

Borrowed Chords:
“`
B Minor 7 (ii♭)
F Major 7 (IV♭)
“`

Similar Chord Progressions

1. Steely Dan – “Peg”
Chorus Chord Progression:
D Major 7 (I) – Db7♯9 (V7♯9/V) – Cmaj7 (IV♭) – Bm7 (iii) – Em7 (vi) – A13 (V9)

2. The Beatles – “Something”
Bridge Chord Progression:
E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V) – E♭maj7 (I♭) – Gm7 (iii♭) – E♭maj7 (I♭) – A♭maj7 (IV) – B♭7 (V)

These examples contain some similar elements, including the use of major and minor seventh chords and unexpected harmonic turns, which are also found in the chorus of Pink Floyd’s “Breathe.”

Musical Analysis

The chord progression starts with the tonic Cmaj7, providing a stable and established tonal center. The following Bm7 is a borrowed chord from the parallel minor, C minor, and introduces chromaticism and tension. The Fmaj7 is another borrowed chord from C minor, providing a temporary sense of resolution with its smooth and calm character.

The G major chord acts as the dominant V in the key of C major, pointing to the eventual resolution, but the progression takes an unexpected turn with the D7♯9. This D7♯9 is an altered dominant chord resolving to the Bm7, functioning as the secondary dominant (V7/ii). The D7♭9 then replaces the previously mentioned D7♯9, which is another altered dominant chord, creating more dissonance while maintaining the same function.

Overall Analysis

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

Style Analysis

“Breathe” showcases Pink Floyd’s blending of rock, blues, and jazz elements in a psychedelic context. The use of major and minor seventh chords, dominant alterations, and borrowed chords create a lush and dreamy atmosphere that is characteristic of their music. The harmonic structure is unique and contains unexpected twists, adding to the depth and expressiveness of their compositions.

Chords in the Chorus 1 section of Breathe by Pink Floyd are:

Cmaj7, Bm7, Fmaj7, G, D7#9, D7b9