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“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

“Closer” by Nine Inch Nails is a song in the key of B minor, although it freely borrows chords from the parallel major key. The song’s structure is as follows: Verse – Pre-Chorus – Chorus – Verse – Pre-Chorus – Chorus – Bridge – Chorus – Instrumental.

“Nothings Gonna Change My Love For You” by George Benson is a romantic ballad in the key of Db major. The piece features a soothing and harmonically rich chord progression that is characteristic of the pop/jazz fusion style popular in the late 70s and 80s. The chorus features a mix of diatonic, borrowed, and secondary-dominant chords, creating an expressive palette of colors and tensions. This progression shares similarities with other ballads and pop songs from the era.

Nine Inch Nails – Every Day Is Exactly The Same – Chorus

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Chord Progression

E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E

Chord Progression Analysis

E | A | C | G
Em (i) | A (IV) | Cmaj (♭VI) | G (III)
Borrowed chords: A (IV) and G (III) from E major.

Similar Chord Progressions

1. Radiohead – “Creep”
Chord Progression:
G | B | C | Cm
Gmaj (I) | Bmaj (III) | Cmaj (IV) | Cmin (iv)

2. The Beatles – “In My Life”
Chord Progression:
A | E | F#m | D | G | A
A (I) | E (V) | F#m (vi) | D (IV) | G (♭VII) | A (I)

These examples show a similar use of borrowed chords in their progressions, which contribute to an engaging sound that stands out as a signature element of the artist’s style.

Musical Analysis

The main progression in the chorus is built with two borrowed chords (A and G) from the parallel major key (E Major). The progression starts with the tonic chord (Em) that defines the E minor tonality. It then progresses to the A major chord, which is borrowed from E major, adding interest and brightness to the sound.

Next, the progression moves to C major, which acts as a submediant chord in the E minor key. This chord is not borrowed and belongs to the original key. The progression then moves to the G major chord, which is also borrowed from E major, before returning to the tonic chord (Em). This combination of common and borrowed chords creates a unique and engaging chord progression.

Overall Analysis

The song “Every Day is Exactly the Same” by Nine Inch Nails is in E minor key. The chord progression found in the chorus consists mainly of common chords found in the E minor key, along with a couple of borrowed chords from E major. The use of borrowed chords adds unique color and tension to the music.

Style Analysis

The band Nine Inch Nails is known for its dark, moody, and atmospheric sound, which combines elements of industrial, rock, and electronic music. The use of borrowed chords in this chord progression contributes to this signature style, having a darker feel by taking elements from both E minor and E major keys.

Chords in the Chorus section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E, A, C, G, E