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Related Music Theory Alchemy

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

Nine Inch Nails – Closer – Pre-Chorus

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Chord Progression

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]

Chord Progression Analysis

The primary chords in the Pre-Chorus are

– `B Major (‘III’)`
– `C# Minor (‘iv’)`
– `G Major (‘bVI’)`

This progression is repeated several times, forming the harmonic backdrop of the pre-chorus section of “Closer”.

Similar Chord Progressions

This basic III – IV chord progression is fairly common in rock music although its combination with the bVI is more atypical. Other songs with similar progressions include:

– “Creep” by Radiohead: `G Major (‘I’)` – `B Major (‘III’)` – `C Major (‘IV’)` – `C Minor (‘iv’)`
– “Imagine” by John Lennon: `C Major (‘I’)` – `E Major (‘III’)` – `F Major (‘IV’)` – `F Minor (‘iv’)`

Note: The Roman numeral analysis above assumes a Major ‘I’ chord for clarity. In reality, these songs may not revolve around a clear major ‘I’, particularly in the case of “Closer” which is more ambiguous.

Bear in mind that while the chord structures may be similar, the overall sonic landscapes in these pieces are notably different, underlining the diversity possible even with a straightforward chord progression. Each song exhibits a distinctively different musical style and mood: from unresolved sadness in “Creep”, to idealistic hope in “Imagine”, and dark provocation in “Closer”.

Musical Analysis

The predominant chord progression of “Closer” exhibits a cycle between B major and C# minor chords, with an elusive G major chord infrequently interjected. This is a pivot chord modulation, where a shared chord acts as a pivot between the original key and the key of modulation. The G major present is a borrowed chord from the parallel major key.

Overall Analysis

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

Style Analysis

“Closer” encapsulates Nine Inch Nails’ characteristic edgy and dark musical style by employing the methods of alternative rock and industrial genres. Its iconic synth bassline, ambiguous tonal center, and emotionally charged lyricism instil a provocative mood. The chord progression is simplistic, while the arrangement and instrumentation are deeply layered and intricate, creating a unique soundscape.

Chords in the Pre-chorus section of Closer by Nine Inch Nails are:

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]