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The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

The song “Dead Flowers” by The Rolling Stones is a classic rock tune that is characterized by its simple yet effective chord progressions. The key of this song is D Major. This song utilizes mostly major chords (D, A, and G), and it has a strong emphasis on the I-IV-V chord progression, a staple in many rock, blues, and pop music.

This pre-chorus from Weezer’s “Buddy Holly” features an eight-chord progression in the key of A major. It includes a borrowed chord (Dm) from the parallel minor key (A minor). The harmonic movement consists of alternating D major and C# minor chords, followed by F# minor chords, before returning to the D major root and finally resolving with the borrowed Dm chord. This progression contributes to the energetic, catchy, and upbeat style of the song.

“Tiny Dancer” is an iconic song by Elton John from his 1971 album Madman Across the Water. Written in the key of C Major, it genre-wise fits the mold of pop music from the early 1970s. Structurally, the song displays unique nuances, especially in its pre-chorus, which shifts the tonal center and incorporates some borrowed chords from parallel minor scales.

Nine Inch Nails – Closer – Pre-Chorus

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Chord Progression

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]

Chord Progression Analysis

The primary chords in the Pre-Chorus are

– `B Major (‘III’)`
– `C# Minor (‘iv’)`
– `G Major (‘bVI’)`

This progression is repeated several times, forming the harmonic backdrop of the pre-chorus section of “Closer”.

Similar Chord Progressions

This basic III – IV chord progression is fairly common in rock music although its combination with the bVI is more atypical. Other songs with similar progressions include:

– “Creep” by Radiohead: `G Major (‘I’)` – `B Major (‘III’)` – `C Major (‘IV’)` – `C Minor (‘iv’)`
– “Imagine” by John Lennon: `C Major (‘I’)` – `E Major (‘III’)` – `F Major (‘IV’)` – `F Minor (‘iv’)`

Note: The Roman numeral analysis above assumes a Major ‘I’ chord for clarity. In reality, these songs may not revolve around a clear major ‘I’, particularly in the case of “Closer” which is more ambiguous.

Bear in mind that while the chord structures may be similar, the overall sonic landscapes in these pieces are notably different, underlining the diversity possible even with a straightforward chord progression. Each song exhibits a distinctively different musical style and mood: from unresolved sadness in “Creep”, to idealistic hope in “Imagine”, and dark provocation in “Closer”.

Musical Analysis

The predominant chord progression of “Closer” exhibits a cycle between B major and C# minor chords, with an elusive G major chord infrequently interjected. This is a pivot chord modulation, where a shared chord acts as a pivot between the original key and the key of modulation. The G major present is a borrowed chord from the parallel major key.

Overall Analysis

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

Style Analysis

“Closer” encapsulates Nine Inch Nails’ characteristic edgy and dark musical style by employing the methods of alternative rock and industrial genres. Its iconic synth bassline, ambiguous tonal center, and emotionally charged lyricism instil a provocative mood. The chord progression is simplistic, while the arrangement and instrumentation are deeply layered and intricate, creating a unique soundscape.

Chords in the Pre-chorus section of Closer by Nine Inch Nails are:

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]