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Related Music Theory Alchemy

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

The song “Closer” by Nine Inch Nails is written in C minor key, and the overall structure of the song consists of a verse, pre-chorus, and a chorus. The progression is simple yet effective in creating a dark and moody atmosphere, consistent with the industrial rock genre that characterizes Nine Inch Nails’ music.

Pre-Chorus 1 –

“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

The song “Dead Flowers” by The Rolling Stones is a classic rock tune that is characterized by its simple yet effective chord progressions. The key of this song is D Major. This song utilizes mostly major chords (D, A, and G), and it has a strong emphasis on the I-IV-V chord progression, a staple in many rock, blues, and pop music.

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Vance Joy’s “Riptide” is a folk-pop song that presents a unique coupling of simplicity and depth on the musical landscape. The chord progression, in particular the pre-chorus, is relatively straightforward, but it introduces a flavor of complexity thanks to the inclusion of the borrowed chord. The song operates primarily within the key of C major, and maintains a predominantly folk-like, easy listening aesthetic throughout. Its chord progression, while simple, is nonetheless powerful in conveying the song’s desired emotional ambiance.

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Nine Inch Nails – Closer – Pre-Chorus

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Chord Progression

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]

Chord Progression Analysis

The primary chords in the Pre-Chorus are

– `B Major (‘III’)`
– `C# Minor (‘iv’)`
– `G Major (‘bVI’)`

This progression is repeated several times, forming the harmonic backdrop of the pre-chorus section of “Closer”.

Similar Chord Progressions

This basic III – IV chord progression is fairly common in rock music although its combination with the bVI is more atypical. Other songs with similar progressions include:

– “Creep” by Radiohead: `G Major (‘I’)` – `B Major (‘III’)` – `C Major (‘IV’)` – `C Minor (‘iv’)`
– “Imagine” by John Lennon: `C Major (‘I’)` – `E Major (‘III’)` – `F Major (‘IV’)` – `F Minor (‘iv’)`

Note: The Roman numeral analysis above assumes a Major ‘I’ chord for clarity. In reality, these songs may not revolve around a clear major ‘I’, particularly in the case of “Closer” which is more ambiguous.

Bear in mind that while the chord structures may be similar, the overall sonic landscapes in these pieces are notably different, underlining the diversity possible even with a straightforward chord progression. Each song exhibits a distinctively different musical style and mood: from unresolved sadness in “Creep”, to idealistic hope in “Imagine”, and dark provocation in “Closer”.

Musical Analysis

The predominant chord progression of “Closer” exhibits a cycle between B major and C# minor chords, with an elusive G major chord infrequently interjected. This is a pivot chord modulation, where a shared chord acts as a pivot between the original key and the key of modulation. The G major present is a borrowed chord from the parallel major key.

Overall Analysis

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

Style Analysis

“Closer” encapsulates Nine Inch Nails’ characteristic edgy and dark musical style by employing the methods of alternative rock and industrial genres. Its iconic synth bassline, ambiguous tonal center, and emotionally charged lyricism instil a provocative mood. The chord progression is simplistic, while the arrangement and instrumentation are deeply layered and intricate, creating a unique soundscape.

Chords in the Pre-chorus section of Closer by Nine Inch Nails are:

[‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘G’, ‘B’, ‘C#’, ‘B’, ‘C#’, ‘B’, ‘C#’]