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Related Music Theory Alchemy

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

The Verse 3 chord progression in Muse’s cover of “Can’t Take My Eyes Off You” is a fairly simple progression that features harmonic devices such as seventh chords, borrowed chords, and a half-diminished chord. This progression incorporates some jazz and pop influences into a stylistically cohesive and engaging harmonic landscape.

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

Muse – Feeling Good – Verse 2

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Chord Progression

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb

Chord Progression Analysis

“`
G minor (i)
G minor/F (i/F)
E-flat major (VI)
D major (V/V)
G minor (i)
G minor/F (i/F)
E-flat major (VI)
D major (V/V)
G minor (i)
G minor/F (i/F)
C major/E (borrowed IV/III)
C minor/E-flat (iv/III)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:
“`
C Major (I)
E minor (iii)
G major (V)
F major (IV)
C Major (I)
F major (IV)
C major (I)
G major (V)
“`

2. “All I Want” by Kodaline:

“`
C Major (I)
G major (V)
A minor (vi)
F major (IV)
C Major (I)
G Major (V)
F major (IV)
F major (IV)
“`

These chord progressions share similarities with the progression in “Feeling Good” in that they employ a mix of borrowed chords, non-standard progressions, and major/minor relationships to create a rich and contrasting harmonic texture, which results in a more captivating listening experience.

Musical Analysis

The given chord progression is part of the verse in Feeling Good, which demonstrates a non-conventional progression with some borrowed chords. The progression starts with G minor (i), which establishes the tonality of the song. Then, it moves to G minor/F (i/F), which is the first inversion of G minor, giving the progression a sense of movement and tension.

The progression then moves to E-flat major (VI), which is a common chord substitution used in minor keys. This is followed by D major (V/V), which is a secondary dominant, enhancing the pull towards a G minor i before the subsequent repetition.

The use of C major/E (borrowed IV/III) and C minor/E-flat (iv/III) at the end of the progression is noteworthy. This presents parallel major/minor relationships, which creates a sense of contrast and surprise that gives the song a unique identity and enhances its emotional impact.

Overall Analysis

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

Style Analysis

Muse’s version of “Feeling Good” incorporates elements from jazz, blues, rock, and pop. The chord progression and strong orchestration, featuring brass and strings, create a rich harmonic texture, while the melancholic vocal melodies convey a sense of longing. The blend of classic songwriting with modern rock sensibilities results in a distinctive sound that sets Muse’s interpretation apart from the original version.

Chords in the Verse 2 section of Feeling Good by Muse are:

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb