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Related Music Theory Alchemy

“Feeling Good” by Muse is a cover of the original song written by English composers Leslie Bricusse and Anthony Newley in 1964. The Muse version was released in 2001 and is featured on their second studio album, “Origin of Symmetry.” The song is heavily influenced by the genres of jazz, soul, and R&B, while the Muse rendition adds a more modern rock sound to the mix.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Muse – Feeling Good – Verse 2

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Chord Progression

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb

Chord Progression Analysis

“`
G minor (i)
G minor/F (i/F)
E-flat major (VI)
D major (V/V)
G minor (i)
G minor/F (i/F)
E-flat major (VI)
D major (V/V)
G minor (i)
G minor/F (i/F)
C major/E (borrowed IV/III)
C minor/E-flat (iv/III)
“`

Similar Chord Progressions

1. “Creep” by Radiohead:
“`
C Major (I)
E minor (iii)
G major (V)
F major (IV)
C Major (I)
F major (IV)
C major (I)
G major (V)
“`

2. “All I Want” by Kodaline:

“`
C Major (I)
G major (V)
A minor (vi)
F major (IV)
C Major (I)
G Major (V)
F major (IV)
F major (IV)
“`

These chord progressions share similarities with the progression in “Feeling Good” in that they employ a mix of borrowed chords, non-standard progressions, and major/minor relationships to create a rich and contrasting harmonic texture, which results in a more captivating listening experience.

Musical Analysis

The given chord progression is part of the verse in Feeling Good, which demonstrates a non-conventional progression with some borrowed chords. The progression starts with G minor (i), which establishes the tonality of the song. Then, it moves to G minor/F (i/F), which is the first inversion of G minor, giving the progression a sense of movement and tension.

The progression then moves to E-flat major (VI), which is a common chord substitution used in minor keys. This is followed by D major (V/V), which is a secondary dominant, enhancing the pull towards a G minor i before the subsequent repetition.

The use of C major/E (borrowed IV/III) and C minor/E-flat (iv/III) at the end of the progression is noteworthy. This presents parallel major/minor relationships, which creates a sense of contrast and surprise that gives the song a unique identity and enhances its emotional impact.

Overall Analysis

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

Style Analysis

Muse’s version of “Feeling Good” incorporates elements from jazz, blues, rock, and pop. The chord progression and strong orchestration, featuring brass and strings, create a rich harmonic texture, while the melancholic vocal melodies convey a sense of longing. The blend of classic songwriting with modern rock sensibilities results in a distinctive sound that sets Muse’s interpretation apart from the original version.

Chords in the Verse 2 section of Feeling Good by Muse are:

Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb